Cultural Property and Contested Ownership: The trafficking of artefacts and the quest for restitution
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Cultural artefacts, such as those kept and trafficked between art dealers, private collectors and museums, have increasingly become localized in a 'Bermuda triangle' of colonialism, looting and the art (black) market, with their re-emergence resulting in disputes about ownership and claims for return. Taking the 1970 UNESCO Convention on the Means
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