Chapter 1 Introduction. Sarah Moore and Maria Mellins Popular Culture 'Trials' Chapter 2 The deceased-accused and the victim as a commodity: Jimmy Savile as a case study to examine the role of real-crime documentary in reproducing violence as entertainment. Susanna Menis Chapter 3 'Don't let Netflix tell you what to think!': debates on getting to know the accused/convicted in Making a Murderer and other injustice narratives. George S. Larke-Walsh Chapter 4 From 'forensic narratives' to 'narratives of forensics': telling stories about the murder of Gay Gibson. Alexa Neale Chapter 5 In consideration of serial violence: the perils of repetition and routine in 'true crime' documentaries. Sarah Moore Representations of Victims - Survivors Chapter 6 'Stay sexy and don't get murdered': depictions of female victimhood in post-Me Too true crime. Megan Hoffman and Simon Hobbs Chapter 7 Stalking, the media and raising public awareness. Maria Mellins Chapter 8 Human trafficking and coercive control: representations in media and challenges in legislation. Carole Murphy Consuming Homicide Narratives Chapter 9 'That photograph' - serial killer as modern celebrity. Ian Cummins, Marian Foley and Martin King Chapter 10 Real-life criminals and crime fictions: adapting the serial killer as gothic monster in TV drama. Brigid CherryChapter 11 Gender, true crime and the violent subject. Louise Wattis True Crime Spaces Chapter 12 Feeding the fascination: crime-related tourism and the True Crime Museum. Hannah Thurston Chapter 13 Exploring the presence of the digital detective within the true-crime genre and its online spaces. Farhana Irshad Chapter 14 Live streaming of murder: regulatory responses and challenges. Gregor Urbas Index
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