The author of this textbook continues an academic and practical dialogue on the creation of a creative laboratory for young writers-journalists, screenwriters, and novelists. The author offers students material in the form of a lecture series on screenwriting through the lens of philosophical and cultural analysis, as well as specific techniques and methods used by screenwriters to develop their creative vision, ideological and artistic content, real-life events, and manuscript editing, which ultimately provides a broad understanding of the application of theory and practice in the creative work of a screenwriter. The lecture series is intended for film and TV editors, students in journalism, screenwriting, and film directing programs who are dedicated to film and television screenwriting, as well as a broad audience interested in contemporary issues in film and television screenwriting.
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