Daphne G. Forest is bold, brisk, and as barbed as the 1940s movie star she resembles. Mother Miriam Bliss is a flamboyant figment of her imagination, a sort of whimsical vindication for an editor who confused Daphne with facts, which she knows (for a fact) only tend to exist. When Daphne's fictitious commune of blasphemous gourmet wilderness nuns unexpectedly create a national stir, Daphne goes on the lam in Alaska, a frontier big enough for Italy and France to hide in. She meets Jason, a gold seeker, who introduces her to the native Gwich'in tribe in the Far North. Tribal leader Rachel King, who is fighting an uphill battle against Big Oil, stirs Daphne's dormant sense of right and wrong and lands her on a whole new trajectory. That trajectory is about to collide with that of a gay commune in San Francisco, who have fallen hard and fast for Mother Miriam. They decide she and her wild sisters must materialize. What is real, what is magical, what is realistic magic and magical realism? The answers and more questions are found in the mythic and monumental proportions of the Great Land, Alyeska.
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