Crack of Doom

by Willi Heinrich

Book Overview

No Synopsis Available.

• Format: Paperback
• Language: English
• ISBN: 0553149253
• ISBN13: 9780553149258
• Release Date: May 1981
• Publisher: Bantam Books
• Length: 320 Pages
• Weight: 0.40 lbs.

Customer Reviews

A pretty good read for a WWII buff...

I don't know how to describe how I felt after reading this book. It was much the same as after reading Cross of Iron. Many of the characters in this book are unsympathetic and unlikable, and you'll wish for more 'justice' in the proceedings...but you won't get it. After all, this is late 1944 on the Eastern Front. The destruction of yet another un-named German division on the Eastern Front is both compelling...and harsh. The brutal, wintry mountainous backdrop to these events is so fitting...One passage will never leave my mind: At the height of a losing battle against the Russians General Stiller sends his most experienced battalion into a suicidal counter-attack; even though a raw, untrained 'green' battalion is available. He orders the veteran battalion into the doomed assault because 'the attack has to look believable'....such a sad waste of lives.

Not bad

Not a big fan of these pulp-fiction war books, but thought I'd give this one a try, and all and all wasn't that disappointed. The story revolves around a rag-tag unit of the German army retreating through Czechoslovakia. As it happens, while stationed in the vicinity of the main protagonist's--Kolodzi--home village--the unit is detailed to search for a general that was captured by Czech partisans. Kolodzi therefore is torn between his duty and the temptation to desert and return home and shack up with his girl who he hasn't seen for ages, and who incidently has connections with the partisans, etc. Anyway, it is a gripping, face-paced book, and not all that bad, even if the title is a little, well, odd.

later on heinrich's world war II eastern front

I have read this in both English and German, as in the case of his "Cross of Iron". This English version seems better to me.Having been an infantry EM and officer, having had experience inmodern Eastern European history, and having been in the USSR andSlovakia, the terrain (south of the Dukla Pass) seems realistic.The decline of the German Army, with sergeants in company commandand lack of officer combat experience (Schmitt and Giesinger), also seems appropriate for late 1944. General Stiller is striking in his hardness, and in his role as a "fireman" at a desperate juncture, as is the hardness of the Russian Nikolash,who will use Margita and the Slovak anti-German partisans withoutmercy but with ambition. This book shows the Slovaks and Volksdeutsche well, as does Heinrich's "Jahre Wie Tau" (never printed in English), particularly Kolodzi in his desperate attempts to save Maria; Kolodzi eventually puts life over thewar, after 5 years; an effective ending from an author who neverdeserted in his Eastern Front career. This novel is not as goodas the other two cited, but is certainly worth reading

initial impression changes

I've just finished Crack of Doom by Willi Heinrich. My inititial impression was that it's an unpleasant book about a gruesome time and ultimately just that, unappealing, but within twelve hours of that first reaction I've settled into another response, more just, I think, because the characters have sat down, as it were, within me, and I think this might happen to you too. The strength of each of the major characters is their one dimension, some for survival, a couple for honor; some for their professional skills, others for their inexperience.The blurb on the cover says the author came by his experience the hard way, and it shows. I came to the book in spots of reading stretched out over some months, so I had to go back and recall which character was which and consequently found it a slow start, but it has a hell of a second half!The three classes of characters also bear watching, with their inside codes of behavior and their codes between each class: civilian, enlisted, and officer.If, as they say, life is a story we intend to write one way that ends up writing us another way, there must obviously be no worse setting for it than wartime. These terrifying backdrops give the novel a chance to squeeze every inch of definition out of each character so that by novel's end there's a handful of painful character sketches that all deserve to be remembered: (in order of the vivid traces they've left within me, from the strongest first) Schmitt, Giesinger, Stiller, Margita, Kolodzi, Herbig. There's at least half a score of minor characters who, because they are so much in type, do more than most such in the few pages they appear: Matuska, Teltschik, Baumgartner, Nikolash, and the fat Gestapoman.This book must certainly have done all its author could reasonably expect it to do. I give it one less star for the type it intends to put itself in: gritty with a kind of hunkered down marching forward through the inferno with little hope of a succeeding purgatorio, much less paradisio, but then, that's pretty much what I guess the real thing must have been like (though there is Schmitt's open sky and his admiration for wolves), and for that, on second thought, I should say, this book is as good as it can get.