The Complete Poems and Major Prose

by John Milton

Book Overview

John Milton is, next to William Shakespeare, the most influential English poet, a writer whose work spans an incredible breadth of forms and subject matter. The Complete Poetry and Essential Prose of... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0023582901
• ISBN13: 9780023582905
• Release Date: January 1957
• Publisher: Prentice Hall
• Length: 1059 Pages
• Weight: 3.65 lbs.
• Dimensions: 2.2" x 6.5" x 9.6"

Customer Reviews

Best Collection of Milton Available

This is the best collection of Milton works available that I know of: sturdy, with thick white pages offering ample room for note taking, numerous footnotes, rare works such as Christian Doctrine (which is extremely interesting)and writings from people who knew Milton. Nothing more needs be said. The price, $40 something, is insanely cheap if you consider how much you're paying per work - probably comes out to a couple dollars each. A lifetime of Milton resides between the durable covers of this book, inexhaustible hours with one of the greatest writers of the English language. Truly, this is one of the most enjoyable books I own.

A COLLEGE TEXT I"D BUY AGAIN

Coming from someone who was so frugal that my choice of major in college was influenced by the fact I could find most required reading for a dual degree in philosophy and English literature in the library rather than pay my hard earned money for books that were not worthy.... this is my strongest possible recommendation: This was one of the few texts I actually shelled out money for in college without regret and would even purchase AGAIN! ( My copy was destoryed by Hurricane Isabel) I have fond memories of studying Milton, and when he seemed at his most confusing the notes in this text were wonderfully clear.

This is the best edition

Others have suggested the Norton is the edition for college students. I disagree. The Hughes edition is definitely worth the money. The notes are the best -- in reading criticism on Milton, there's usually plenty of references to Mr. Hughes's notations themselves. This is the standard, accepted text. This is the complete poems, with his Latin and Italian poetry appearing ajacent to an English translation. There's a generous selection of Milton's prose, too. Spend the wad and buy the book. If you're reading this, then you're a bibliophile, no doubt. For the rest of your life wouldn't you prefer to have the best edition of Milton on your shelf, or will you be satisified with a $9 Signet Classic? (I tossed mine.) Check out the Dore Illustrations for PL, too.BTW, after reading Areopagitica, I believe that everything Jeffereson said was a debt to Milton.

The Text to Own

This is still the most extensive, best-annotated, one-volume Milton set available. As the blurb above indicates, Hughes presents all the poems and prose in chronological sequence, so it is easy to trace the great poet's increasing facility, and later mastery, in both areas. We start with Milton, the fifteen-year-old student, translating Psalms from the Hebrew as well as passages from the love poems of Ovid and Properius. We then follow him to Cambridge, where he really starts assimilating all his classical studies, first fashioning imitative Latin elegies followed by his first poems of native genius, "On the Morning of Christ's Nativity," "On Shakespeare," "L'Allegro and Il Penseroso." Hughe's edition is invaluable as a tool for students, scholars, or general readers. The notes never get in the way of the text, but will lead the reader to relevant sources should he/she desire to learn more about a given allusion or want more background. If the reader is patient, and actually reads all the material that comes before "Paradise Lost", he/she will be rewarded with a richer understanding of Milton's magnum opus. Please be advised that if you have made it that far, don't stop there. "Paradise Regained" and "Sampson Agonistes" are powerful examples of epic poetry as well. I personally feel that "Paradise Regained" has had almost as large an impact on modern fiction in particular (Dostoevsky and Flaubert are prime examples)as has "Paradise Lost." Blake said that Milton was of Satan's party without knowing it. Actually Milton's prose does open up some interesting possibilities in that sphere. In "Areopagitica" he advocates for the necessity of evil. He was, as history has amply recorded, hardly a defender of central authority. He was emphatic about individual liberty and wouldn't be dictated to by Pope or King. There are several short early biographies of the poet at the end of the book. All paint a portrait of an idiosyncratic genius who suffered numerous setbacks both physical and political, particularly in his last decades. He was an extraordinarily brave man, who has taken some heat from Virginia Woolf and later feminists for his "ill use" of his daughters, who, the line goes, he kept in ignorance and near slavery so that they could aid him as ameneunses after he went blind. If such detractors had actually done any wide reading on the subject (Shawcrosse is an excellent source) they would not have made such charges. Though not what could be described as a "loving father," Milton certainly never inveighed against his daughters to remain "indentured" to him, nor did he subvert any marriage plans they arranged (none were forced into "arranged marriages" either, though the practice was still common in that era). He didn't tutor them in the Languages he asked them to transcribe, per se. But this begs the question, if they were'nt taught Latin, Greek and Hebrew, how would they have been able to act as scribes in