In his debut collection of essays, Jed Munson excavates the geopolitical reality and symbolic weight of the Korean Demilitarized Zone. Drawing on his time as a Fulbright scholar, Munson explores the ecology of the DMZ--the cranes who live there and cross borders that remain deadly to humans--and the artwork that grapples with this inaccessible but calamitous place, a site of perpetual encounter and impasse. This book combines text and image, stories of trail-walking and of illness, and the author's reflections on diasporic identity as a biracial Korean American. The result is a deeply moving work of memoir, cultural criticism, and ecological thinking for our time.
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History