Colored People: A Memoir

by Henry Louis Gates Jr.

Book Overview

In a coming-of-age story as enchantingly vivid and ribald as anything Mark Twain or Zora Neale Hurston, Henry Louis Gates, Jr., recounts his childhood in the mill town of Piedmont, West Virginia, in... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0679421793
• ISBN13: 9780679421795
• Release Date: May 1994
• Publisher: Alfred A. Knopf
• Length: 216 Pages
• Weight: 1.05 lbs.
• Dimensions: 1.0" x 5.9" x 8.6"

Customer Reviews

Courageously Honest Memoir

I place Colored People alongside Angela's Ashes as one of the best works of memoir in recent years. He doesn't moralize; he just tells the honest story. This is a story that, to my knowledge, has not been told elsewhere. It is a story about the freedom and comfort and the pain of a segregated commuinty, and the heartbreak that came with leaving some of that world behind. Most things are deeper and more complex than we like to think they are. Colored People brings that concept forward in a way that no other book has. The people whose expressed frustration with not being able to keep the characters straight are missing the point - this isn't a murder mystery and it doesn't make any difference. Buy it. Read it. Share it. I only wish I'd done so when it first came out.

Excellent memoir - a necessary read!

Henry Louis Gates, Jr. is an extraordinary scholar, particularly on African-American issues. He was born and raised in Piedmont, West Virginia during the time of early racial desegregation and, as a black man, was directly influenced by this dramatically historical period. Gates graduated summa cum laude from Yale University with a degree in history, then received a Ph.D. in English from Cambridge. He has written for The New Yorker, The Village Voice, Time, The New Republic, and other prominent magazines. In addition to Colored People: A Memoir, Gates has authored and co-authored several books including Figures in Black: Works, Signs, and the "Racial" Self (1987), The Signifying Monkey: A Theory of Afro-American Literary Criticism (1988), and Thirteen Ways of Looking at a Black Man (1997). The preface to Colored People is a letter from Gates to his daughters, Maggie and Liza and, though the book is dedicated to his father Henry Louis Gates, Sr. and in memory of his mother Pauline Augusta Coleman Gates, the entire autobiography is written in conversational tone, as if Gates were recounting his stories not only to his daughters, but to their entire generation. Gates' collection of memories describes the era, long since past (both for good and for bad) when blacks and whites were segregated, and the subsequent integration of these colors, and what it was like to live in that world, and be a part of it's evolution. The title Colored People is beautifully appropriate, not only for the shades of black America it represents, but for each and every one of us; black, white, red, yellow: none of us are see-through. Henry Louis Gates, Jr. invites us to live with him in Piedmont, West Virginia, and experience life-black life-through his eyes. We walk through his town, invade his cultural rituals as a welcome guest, experience the love of family and community with him, and suffer the pain and frustration of segregation alongside him. I felt privileged to walk with Gates into segregated, comfortable, welcoming, "safe" black cultural spaces I could never enter otherwise: a black funeral, a black church, a black barbershop, a black family reunion. In contrast, I felt anger and pain at being judged, criticized, and belittled because of skin color. Gates emphasizes to his readers, through his personal life experiences, the fact that color is only an outside condition that changes with the sunshine. He allows us to see that we are all human beings first, experiencing the same emotions, passions and ambitions as the man next to us, regardless of his color. He doesn't discount white racism though, nor try to "Uncle Tom" it into something to be scoffed at as negligible. He allows us to know what West Virginia was like in the 1950's through the eyes of a young black man. We feel his warm acceptance when he falls for the affections of a white girl, and when he is recognized for superior intellect among his peers, many of whom are white. W

Being Henry Louis Gates Jr.

This is a great book. No doubt about it. For those who only know Skip Gates from his combatative role in the PBS "Wonders of Africa" series, this book will be a revelation. As a memoir of a young man growing up Black in the segregated south, there are some wonderful epiphanies for people who did not have that experience. As a peice of literary writing, it's a wonderful example of craft and spirit and talent. I don't always agree with the way in which Prof. Gates places himself in the politics of academia or the pronouncements he sometimes makes about being of color in these United States, but he sure tells a good story. Through sharing his early years, some of the complexities of the man are made understandable. I leave it to others to decide exactly what that means.

Warm and funny and haunting and serious.

So removed from my own experience but a story told with such grace, it will always be one of my favorite books. I read it when it was published some time ago and have not forgotten the real sense of place and people. As a white female wasp from New England, I'm not sure I understand why it affected me so. Lost communities that we gave up in the name of something else. On the one hand, it made me think there will always be a separateness and, on the other hand, that we all want the kind of community and gentle exchange that seemed at the heart of the people in this book. The use of the language is admirable - the writing - but it was what I took away about my own very different life that made the book memorable. It's a scholarly work in its way but simple, clear and classic.