Cet ouvrage, coordonn par Sophie Jollin-Bertocchi et Serge Linar s, interroge pour la premi re fois la pratique fr quente du changement de style chez les crivains fran ais depuis la fin du XIXe si cle. Restituant le ph nom ne son historicit , il ne vise pas contester la notion de style d'auteur , mais en relativiser le caract re essentialiste, croisant la d marche stylisticienne avec d'autres approches (sociologie, po tique...). Il dessine le contexte historique et ditorial, voque ensuite des parcours de polygraphes, appr hende la probl matique sous l'angle g n rique (po sie, roman), met en vidence les enjeux biographiques, questionne enfin les possibilit s d'une permanence derri re la disparit des mani res d' crire. l' poque moderne, avoir du style ne se limite pas en avoir un seul.
This collection coordinated by Sophie Jollin-Bertocchi and Serge Linar s addresses the common practice of the change of style among French authors since the end of the nineteenth century. The intention is not to challenge the notion of an author's style but the relativization of its essentialist nature, from different approaches (sociology, poetics...) and through a variety of examples. This study outlines the historical and editorial context, brings up some surveys from the point of view of genre (poetry, novel), and underlines the biographical issues. This book also raises the question of some possibilities of a standard behind the array of different styles. In the contemporary period, evidencing Style does not imply being limited to one style only.
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