Cargo of Coffins

By L. Ron Hubbard

Book Overview

If Lars Marlin had three wishes, two have already been granted: he has escaped from Devil's Island ... and he has come face to face with the man who put him there--Paco Corvino. But the third wish--putting a bullet in Corvino--will have to wait. Now the two are off to sea serving on a luxury yacht.
Corvino is a convict, con-man and killer who has schemed his way into a position as chief steward on a yacht sailing out of Rio de Janeiro. And, in a twist as devious as it is diabolical, he's managed to install Lars--his hated rival--as captain of the very same vessel. And there are even darker twists to come....
Lars is determined to find out what Corvino has up his sleeve and what killer cargo he's hiding on board. But the yacht owner's daughter proves to be a beautiful--and dangerous--distraction. Will Lars be safe in her arms or is she part of Corvino's plot--a deadly trap set with honey?
Don't miss the boat--as the audio version of Cargo of Coffins brings to vivid life this scintillating story of suspense and surprising revelations at sea. "An exciting story that will keep the listener wanting more." --Gil Wilson

• Format: Audio CD
• Language: English
• ISBN: 1592121705
• ISBN13: 9781592121700
• Release Date: July 2009
• Publisher: Galaxy Audio
• Length: 128 Pages
• Weight: 0.28 lbs.
• Dimensions: 0.6" x 5.4" x 5.7"
• Age Range: 10 to 13 years
• Grade Range: Grades 5 to 8

Customer Reviews

An entertaining gem from the Golden Age!

I read L. Ron Hubbard's "Brass Keys to Murder" and "Cargo of Coffins" back to back and reveled in his mastery of pacing and characterization. Originally published in 1935 and 1937, both tales are now available as part of the Galaxy Press "Stories from the Golden Age" series. It's important to note that Hubbard was restricted by space limitations when these stories made their appearance prior to World War II. With that said, Hubbard managed to exploit the "short novel" (or novella) with his pacing. "Brass Keys to Murder" and "Cargo of Coffins" are crime novels not unlike those great Warner Brothers gangster films of the late 30s. I could easily imagine a George Raft or Humphrey Bogart roaming through a gloomy set as the action unfolds. And this is another aspect of Hubbard's writing that fascinates me, i.e., his timeliness and his apparently intuitive grasp of structure. He always seems to know precisely when a gunshot should happen or when a fistfight should break out. And his characters all embody the era when these stories were published. These are hardboiled little gems. In "Cargo of Coffins" you'll find lines like: "He examined his .38 and found it in good order. He slid it into his waistband and smoothed his crisp white jacket over the bulge it made." Similarly, in "Brass Keys to Murder" he describes the hero, Steve Craig, in this fashion: "His jaw was as square as a clipper's mainsail and his eyes were the shade of an arctic sea." He uses simile and sharp images to establish his characters and to set the scene. This is a talent lost to many of today's successful but less talented writers. And because these stories were intentionally short - he often published in a magazine called "Five Novels Monthly" - the pacing leaves one nearly breathless. Hubbard used his mastery of pacing to good effect throughout his career and I couldn't help but recall how superbly he demonstrated this skill in "Battlefield Earth" which clocks in at over 1,000 pages in paperback. There's not a dull page to be found in "Battlefield Earth." But that masterpiece was still well over forty years in the future when Hubbard penned "Brass Keys to Murder" and "Cargo of Coffins." These Galaxy Press reprints are wonderful and I hope they found the audience they deserve. Hubbard's legacy is assured. He stands beside Ray Bradbury, Lester Dent, Walter B. Gibson, H. P. Lovecraft, Robert E. Howard and Edgar Rice Burroughs as one of the American Masters from the glorious Golden Age.