California: With Classic California Writings

by Page Stegner, Ansel Adams, Andrea G. Stillman

Book Overview

A celebration of California by its most renowned photographer, this book features many rarely seen images and an intriguing selection of writings about the state by classic and contemporary authors.... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0821223690
• ISBN13: 9780821223697
• Release Date: May 1997
• Publisher: Ansel Adams
• Length: 112 Pages
• Weight: 2.35 lbs.
• Dimensions: 0.6" x 9.4" x 12.4"
• Age Range: 13 years and up
• Grade Range: Grade 8 and higher

Customer Reviews

California

Growing up in California is obviously a different experience from growing up anywhere else in the world. These photographs are very representative of what California is like not only at the beach areas. It shows California's other beautiful landscape elements as well as people and structures. It is funny because California is such a large state and I have never been to most of the places he photographs. His pictures are so detailed that you can tell that he planned them for a very long time. He probably sat there waiting for that perfect light in order to capture what we see in this book. The photographs make you feel as if you are there with him as he photographs these magnificent places. Through these pictures I am able to experience all of California without ever stepping foot in these places. The patience and discipline Adams has as a photographer is definitely apparent in this book. It is a great representation of the type of photographer he was and what exactly he was trying to make us see. It also helps us experience the photographs with excellent reproductions in the book. I do not believe anything is lost with these reproductions and they are very well designed in the book. The layout compliments the photographs along with the writings that accentuate the feel of the book and the knowledge of California. The well-known writers that the editors chose add to that unique feel California has. All-in-all I recommend this book to anyone interested in Ansel Adams and photography

Add New Dimensions to Your Appreciation of Ansel Adams

If you are like me, you feel you know work work of Ansel Adams quite well. Well, this book was a pleasant surprise in that it introduced me to many rewarding works that I had not seen before. These evoked many happy memories for me, and added to my delight in knowing California.I was born and raised in California, so most of these scenes are ones that are familiar to me. Surprisingly, these were the first good photographs I had ever seen of many of the scenes, even though the scenes captured by the camera are often common ones. The book contains a great deal of text that attempts to expand one's understanding of California, both as a physical and as a psychological place. If you have never been to California, you may find these useful. If you know California, they may seem redundant to the images. The authors include Richard Henry Dana, Jr., John Steinbeck, Laura Ingalls Wilder, Robert Louis Stevenson, Henry Miller, Joan Dideon, and Mark Twain. The texts are well chosen and appropriate, if sometimes superfluous. The notes by the editor, Ms. Stillman, were helpful. "It was light that inspired Ansel to photograph . . . ." "He worked almost exclusively at dawn or sunset . . . " because the light was more vivid then. Here is a quote from Adams, "The silver light turned every blade of grass and every particle of sand into a luminous metallic spendor . . . ." Few have ever captured magnificence in black and white as well as Adams did. Some of my favorite images included:Trailer-Camp Children, Richmond, 1944Hull of Wrecked Ship, Breakers, Drake's Bay, 1953Forest, Castle Rock State Park, 1962Pasture, Sonoma County, 1951Clearing Storm, Sonoma County Hills, 1951Mount Lassen from the devastated area, 1949Redwoods, Bull Creek Flat, 1960Edward Weston, Carmel Highlands, 1945Surf and Rock, Monterey County Coast, 1945Window, Robert Louis Stevenson House, Monterey, 1953Orchard, Santa Clara, 1954Dead Oak Tree, Sierra Foothills, 1938Sunrise, Death Valley, 1948Manley Beacon, Death Valley, 1948Sand Fence, Near Keeler, 1948Yosemite Valley View, 1944Half Dome (Winter) from Glacier Point, 1940El Capitan, 1952Jeffrey Pine, Yosemite, 1945Dawn, Mount Whitney, 1932My enjoyment of the book was increased by nine images of Ansel Adams working by Dorothea Lange from 1953.Why, then, did I rate the book at 4 stars, rather than 5?Basically, the book design is all wrong. The size of the images are either too small for their grandeur and subject, or are reproduced across two pages with a crease in the middle. Although the paper and reproduction quality are excellent, the basic layout and page size are wrong. Perhaps a future edition will remedy that problem. I also found the introduction by Page Stegner to be too much about California and not enough about Adams. I do recommend that you examine this book. I'm not sure whether or not you will want to purchase it or not. The sizing of the images does spoil the effects quite a bit. After you have finished enjoyin

Perhaps the Best Complilation of Adams' Work Ever Produced

CALIFORNIA is arguably the best compilation of Ansel Adams' work ever produced. The design of the large-format book is striking, elegant and restrained. Especially effective are the widely spaced lines of delicate sans serif type. The luxurious coated stock is very heavy and very glossy. The quality of the the roughly 100 big black-and-white duotone reproductions is extraordinary, the result, as it is, of cutting edge laser-scanning technology. Their sharpness, their bite and vividness, the richness and depth of their blacks and the brightness of their brights perfectly convey the essence of Adams' aesthetic ethos and vision and nonpareil technical skills. The texts of most books on Adams' work are chiefly concerned with how the photographs were made, and on the artist's intentions. CALIFORNIA has none of that. Instead, it features brief writings about the Golden State by a disparate array of authors, including, among others, Walt Whitman, John McPhee, Henry Miller and, quite unexpectedly, Emily Post. Certainly, these additions enhance the book's general appeal, but one wonders how comfortable Adams would have been with this approach, since his photographs speak so eloquently for themselves and don't require any verbal support whatsoever. Ansel Adams was probably the greatest landscape photographer who has ever lived and landscapes pedominate in this book. But he excelled with other kinds of pictures as well - portraits, buildings, outdoor still lives, etc. - and this splendid volume records the full range of his amazing talent.