Brooklyn Noir

by Tim McLoughlin

Book Overview

"Brooklyn Noir's contributors are aware of their surroundings, literal and literary . . . Be cool: This pulp's got enough juice to keep the margaritas flowing." --Village Voice

"For fans of noir, for fans of Brooklyn, for fans of just plain old great writing--this is the book for you, or, rather, I should say, you'se." --Jonathan Ames, author of What's Not to Love? and The Extra Man

The first installment in Akashic's groundbreaking...

• Format: Paperback
• Language: English
• ISBN: 1888451580
• ISBN13: 9781888451580
• Release Date: July 2004
• Publisher: Akashic Books, Ltd.
• Length: 300 Pages
• Weight: 1.40 lbs.
• Dimensions: 1.0" x 5.2" x 8.1"

Customer Reviews

A soon to be classic

Probably one of the most enjoyable reads I have ever had. Great if you just moved to NYC, amazing if you have lived in New York all your life.

Excellent, Excellent, Excellent

I can't rememember the last time I enjoyed a book like this! The stories make you go 180, the writing is diverse and the authors are simply great. I HIGHLY recommend this book for someone who is into city-life literature with an edge and infinite creativity.

Enthusiastically recommended compendium of original stories

Expertly compiled and edited by Tim McLoughlin, Brooklyn Noir is an enthusiastically recommended compendium of original stories by twenty of today's best writers against the background of Brooklyn -- one of the toughest borough's of New York City. From Coney Island, Bedford-Stuyvesant, and Bay Ridge, To Red Hook, Bushwick, Sheepshead Bay, and Park Slope, these are stories enriched with historical and criminal largesse with each tale set in a distinct Brooklyn neighborhood. From Pete Hamill's "The Book Signing", to Norman Kelley's "The Code", to Lou Manfredo's "Case Closed", to C. J. Sullivan's "Slipping into Darkness", Brooklyn Noir serves up deftly told tales that will linger in the mind's imagination long after this outstanding anthology is placed back upon the shelf.

Brooklyn IS Noir, T'roo an' T'roo

I've never read much crime fiction, or so-called "genre" fiction of any kind, really, but I'd heard such good things about Brooklyn Noir that I decided to give it a try. Plus, it seemed like a good summer read and a good way to get away from work for a while. I was not disappointed. This book is a lot of fun and reminds me a bit of McSweeney's Mammoth Treasury of Thrilling Tales, the only other genre compilation I've read in recent years. However, unlike Thrilling Tales, Brooklyn Noir doesn't have any clunkers. (Of course, there's another big difference: namely, it's all crime fiction and--with one delightful exception that I leave you to discover on your own--it doesn't have any fantastical or supernatural stories). Every story is a pleasure to read and is just the right length. Plots or styles that I have a feeling might grow stale or a little tiresome in a full-blown novel are perfect for the 15 to 20 pages that make up most of the stories in this collection. Cops and robbers, thugs and gumshoes--this book is just bursting with cool and feels like such a guilty pleasure for an avid reader of so-called "literary fiction." I read most of the stories before going to bed at night, and I felt like an excited little kid the whole time, nestled under the covers with a flashlight and just hoping that my mom wouldn't come in and tell me it was time for me to get to sleep. Each story is so compelling that it's tough to put the book down when you finish the one you're reading. The seedy setting of Brooklyn is so effective and so masterfully crafted that someone like me with little background in either crime fiction or Brooklyn can't help but wonder if noir itself would even be possible in another city. Though each writer makes the city his or her own, they all give the impression that Brooklyn is noir, and vice versa; the two cannot be disjoined. The TOC includes a nice touch, though: it provides the particular neighborhood in which each story is set, showing that though Brooklyn has unifying characteristics and a general inclination to noir, it also contains multitudes. Think that Park Slope is the same as Downtown? Sunset Park and Canarsie no different than Coney Island, Brooklyn Heights, Bensonhurst, or Brighton Beach? Think again, and get ready to witness the differences. The epigraph that begins the book, "Dere's no guy livin' dat knows Brooklyn t'roo an' t'roo, because it'd take a guy a lifetime just to find his way aroun' duh f---- town" (from Thomas Wolfe's "Only the Dead Know Brooklyn"), makes a good point. But by the time you finish the book, you feel like you do in fact know the city t'roo an' t'roo. Perhaps that's because you don't have the word of one guy. You have 20 unique perspectives, each with a different voice, angle, agenda, and incredible story to tell. I won't single out any stories for special attention, because I really don't want to run the risk of leaving some of the best stories out. They really are all wort

BOOKING BROOKLYN

Mr. McLoughlin's second book is bound to outsell his first. Why? He has put his heart into this book. Mr. McLoughlin's book tells it as it is, and it is hard to put the book down. Mr. McLoughlin knows about crime, having worked for many years in the criminal justice system. Run, don't walk, to your local bookstore to get it, or order it online. You won't be let down.Other crime books I recommend are: 1) THE KILLS, by Linda Fairstein. 2) THE BONE VAULT, by Linda Fairstein. 3) I AM THE CENTRAL PARK JOGGER, by Trisha Meili. (now in paperback). 4) 25 TO LIFE, by Rt. Hon. Leslie Crocker Snyder.