The special thing about Boris Mikhailov as a 'book maker' is that he thinks of and develops photography in sequences, in spaces and cuts, in the forms of its montage. Viewed as a whole, his books and book drafts - which often only exist as one original copy - create a retrospective of a very unique and intimate kind. The artist's books Krymskaja Fotomanija (Crimean Photomania) and Mountains , each with 128 pages, are shown here in facsimile, accompanied by 80 pages of illustrated text. Boris Mikhailov is seen as a chronicler of his Ukrainian homeland: the everyday life of the so-called 'little people' on the street, on the beach, at dances - anywhere that the politic becomes visible in the private. Drawing on this material, Mikhailov explores both the human condition and the history and decline of the Soviet Union - and the consequences of its fall.
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