
Just out of college, Patricia Hampl was mesmerized by a Matisse painting she saw in the Art Institute of Chicago: an aloof woman gazing at goldfish in a bowl, a mysterious Moroccan screen behind her. This woman seemed a welcome secular version of the nuns of Hampl's girlhood,...


Just out of college, Patricia Hampl was mesmerized by a Matisse painting she saw in the Art Institute of Chicago: an aloof woman gazing at goldfish in a bowl, a mysterious Moroccan screen behind her. This woman seemed a welcome secular version of the nuns of Hampl's girlhood,...
