Part ritual, part reclaiming of self, the poems in Birds I Cannot Name offer up a chorus of voices in sometimes discordant harmony. Beginning in the Oklahoma Ozarks and migrating toward the Pacific Northwest, this debut collection sings with reverence for the natural world while reckoning with the limits of human community. Damien Uriah crafts a vision of a landscape rooted in liminal spaces that feels deeply mysterious yet mystically familiar.
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