R gis Lefort envisage le ph nom ne de renversement, que ne cesse de convoquer Bernard Vargaftig dans son oeuvre, comme une esth tique po tique, comme l'identit m me du po me. Commen ant par le dernier vers et remontant jusqu'au premier, le po te creuse la langue du po me pour en identifier la source.
R gis Lefort investigates how the phenomenon of reversal, present throughout the writing of Bernard Vargaftig, constitutes a poetic aesthetic and the very identity of the poem. Beginning with the last line and working back to the first, the poet burrows deep into the language of the poem to identify its source.
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