"I want to be Gregory, walking through the concrete and asphalt of a grey housing estate on a summer's evening. At least once, I want to be in every one of those places from the film: the corrugated underpass on the way to school, the red ash sports pitches, under the clock in the Plaza."
In 1980, a 34 year-old Glaswegian got the chance to turn his first screenplay into a feature film. With a small budget and support from a youth theatre in an area of 'multiple social deprivation', Bill Forsyth made a film which still holds a luminous place in the minds of audiences around the world.
This is a book about the singular, unappreciated talent of Forsyth - and the impossibility of Gregory's Girl, how it shouldn't really exist.
There's much more to the film's unique formula than a story about first love and football: French New Wave cinema; Vladimir Nabokov; Preston Sturges; the Glasgow Youth Theatre; the new town strangeness of Cumbernauld; and most of all, the magic of ordinary life. "This is a fantastic read about one of the most important Scottish films ever made. We all knew we were involved in something special - but no-one knew just how special."