Jazz has often been identified with bebop, the style that began as a daring departure from the conventions of swing. This collection of essays looks into this jazz mainstream: the greatness of its sources and the sterility of performances that adhere too closely to the styles of days past.
I always look forward to Davis's essays in 'The Atlantic.' He goes his own way and he's open to a lot of music that the neo-classical crowd shrugs off, such as John Zorn and Don Byron. His takes on musicians like Benny Carter and Art Pepper are unique and well thought out. More important, he's a great prose stylist. Sometimes I disagree with him, e.g., his opinions about hip-hop, but even then I find him pretty thought provoking. Check out his essay on Michael Jackson and Prince--Davis is a sharp observer of pop music, too. I wish they'd bring the rest of his books back in print.
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