The flashy poets and the poets with a schtick get the big audience, but it is the quiet poets whose individual poems more often linger with me. I'd trade all of Ginsberg, say, for William Bronk's six-line poem ""After Bach,"" which derives from the cello suites the lesson that...
The flashy poets and the poets with a schtick get the big audience, but it is the quiet poets whose individual poems more often linger with me. I'd trade all of Ginsberg, say, for William Bronk's six-line poem ""After Bach,"" which derives from the cello suites the lesson that...