Babel: A Film by Alejandro Gonzalez Inarritu (Photo Books)

By Maria Eladia Hagerman

From Tijuana to Tokyo: The making of the final film of Inarritu's acclaimed trilogy Mexican film director Alejandro Gonzalez Inarritu, along with top photographers Mary Ellen Mark, Patrick Bard,... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 3822818143
• ISBN13: 9783822818145
• Release Date: November 2006
• Publisher: Taschen
• Length: 304 Pages
• Weight: 5.00 lbs.
• Dimensions: 1.2" x 12.6" x 10.1"

Customer Reviews

Masterful

The story told by the extraordinary collection of photos is destined to be classic. The images are fit for any Magnum or National Geographic publication. It is certainly one of my favourite photography books, even after a year.

Wonderful Item

Wonderful book, great price and great shipping time. Book is worth a lot more than the selling price.

Powerful

Powerful first class photography around a film that was equallly well shot and deeply moving. Even if you don't care for the celebrity angle (Brad and Cate), these are strong images in and of themselves. Classic B & W in Morocco, psychedelic color in Japan.

Potent, Often Affecting Images From and Around Iñárritu's Dazzling Global Triptych Film

If like me, you were dazzled by the diverse imagery of director Alejandro González Iñárritu's most recent film, "Babel", you will likely take particular interest in this handsome coffee-table book that compiles an impressive gallery of stills within the context of his recollections of the filming. Four superb photographers - Mary Ellen Mark, Patrick Bard, Graciela Iturbide, and Miguel Rio Branco - are responsible for the vital, often seductive photos presented here, both production stills and behind-the-scenes shots. The combination gives a sense of the deep cultural immersion and the bold visual palette in capturing the lives in three distinct locales - Morocco, Tijuana and Tokyo. The result is comparable in quality to any National Geographic photography retrospective. Iñárritu's perceptive writing effectively reflects off the images to paint the broad political and emotional landscape of the film, while coming back to the common ground of people who are unable to communicate in some finite way but somehow find a bond with one other. What is most striking is how the film's story seems to mirror much of what went on with the real people during the production. There are illuminating essays by novelist and poet Eliseo Alberto and Gonzalez Iñárritu included in the introduction. As he has already proven with his first two films, "Amores Perros" and "21 Grams", Iñárritu shows an intractable grasp of loss and grief in familiar settings. That he is able to address the same themes and make them resonate even more on a global plain in "Babel" is quite astonishing. Fortunately, this book is a powerful testament to his talent as an imagemaker.

Remembering the Intricacies of BABEL

When a motion picture of such impact as Alejandro González Iñárritu's BABEL is released, then books such as this fine one become additive to the experience. The four stories that are so integrated into the whole become a bit more individually understandable with the time it takes to perruse this photography book. Together with cogent remarks about both the technical aspects of making this film as well as anecdotal comments about the locations, the cast and the crew that add to the pleasure are some stunning photographs both form the film and extra images. Still photographers Mary Ellen Mark, Patrick Bard, Graciela Iturbide, and Miguel Rio Branco add scenes from the film as well as images of the sets and creation of the film that make the experience live again. Yet as with the impact of the movie, the lasting impact of this addendum to the experience dwells in the mind after the covers are closed. BABEL is n important film: this book heightens the experience for those who have seen the movie and assists those who have yet to experience it. Grady Harp, November 06