"At the end of a drawn landscape" by Oreste David Soave, is a collection of compositions, made over several seasons that tells through an invisible fil rouge, the emotional, sentimental and human growth of a young man. Between historical references ("Al gallows" inspired by the barbaric execution of the revolutionary jurist Mario Pagano) and literary, cinematographic ("The stranger"), musical ("Kentucky Avenue" inspired by Tom Waits and "Alert cry" to a classic of the Brazilian musical tradition) unravels a script that becomes almost a training journey. The awareness of the end of innocence ("D'Estate s'invola"), of the deceptions of illusions and ambitions ("Time", "You deserve more") even sentimental ("Started like this"; "The Bear "," Insensate ") which can then also converge in flashes that seem monologues of the soul (" A man "," A poet ") that testify to the meaning of the journey, intimate and painful, without reaching certainties, awareness or at least a safe harbor. There remains the disorientation ("In the jungle") and also the enchantment of remaining naive and virgins still devoted to our amazement ("When I look at you", "Moon deceit") while we spend the residual energies to make our voice heard, leaving scroll through the words, the verse testimony of our passage like a battered raft that sets sail for a destination.
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