Artistic and Cultural Dialogues in the Late Medieval Mediterranean
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Part I. Al-Andalus Beyond al-Andalus: The Maghreb and the Mashriq1. From the Islamic West to Cairo: Malikism, Ibn Tūmart, al-Ghazālī and al-Qāḍī 'Iyāḍ's Death2. The "Bestsellers" of al-Andalus3. Spolia and Classical Revivals in Legitimacy Discourses: From Cordoba to the Mamluk Mosques of CairoPart II. Andalusi Legacy in Medieval Christian Art4. Visual Traits of Otherness: Figurative Resources Used in the Depiction of Muslims in Mediterranean Romanesque Sculpture5. Islamicate Goods in Gothic Halls: The Nachleben of Palma de Mallorca's Islamic Past6. Granada and Castile in the Shared Context of the Islamic Art in the Late Medieval MediterraneanPart III. Andalusi Cultural Legacy in the Iberian Societies7. In the Shadow of Toledo, Seville, and Granada: On the Historic Significance of Murcia for the Transmission of Islamic Knowledge in the Twelfth and Thirteenth Centuries8. Islamic Legacy in Medieval Iberian Societies: Building Rules9. From aḥbās to habices: Continuity and Transformation of Pious Endowments after the Castilian Conquest of Nasrid GranadaPart IV. Circulation of Cultural Goods in the Medieval Mediterranean10. Siculo-Arabic, Andalusi and Fatimid Ivory Works: Iconographic Transfers and Visual Propaganda11. Ornamental Transfers in Textile Production in Almohad and Nasrid Periods12. Art and Science in al-Andalus and the Late Medieval Mediterranean Cultures: Almohad, Nasrid and Ayyubid Astrolabes in their ContextPart V. Final Remarks13. Final Remarks: ArtMedGIS Project: Artistic Exchanges between East and West in the Late Medieval Mediterranean
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