Poetry. In her third collection of poetry, Camille Guthrie engages with Louise Bourgeois's deeply personal sculptures, paintings, and drawings in her own taut, emotive abstractions, carving new meaning out of a body of work central totwentieth-century art. The poet converses with the artist's preoccupations with love, alienation, sex, death, and identity. These poems offer a formally precise, playfully intense perspective an essential vocabulary for monumental works. As Susan Wheeler observes, "Like Louise Bourgeois, Camille Guthrie makes great art from great discomfort. ...] The rigor of Bourgeois's inner life and studio practice supports these beautiful improvisations like an armature over which a billowing fabric drapes."
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