Making the most of her ability to converse with the dead, Donna Howard researches the provenance of art and antiques. This time, her examination of a colonial-era portrait delves into the dark history of her adopted niece, SarahAnn, uncovering a kidnapping plot and a murderer who got away scot-free. The investigation takes Donna and SarahAnn from Maine to upstate New York, from wedding venues to house museums. Facing a past she never knew, SarahAnn questions what constitutes a person's "real" heritage and whether breaking the law is justified in order to prevent a more heinous crime. There are times when honestly confronting the past may leave our descendants with no choice but to choose their own ancestors.
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