Anthology of Chinese Literature: Volume I: From Early Times to the Fourteenth Century

by Cyril Birch

Book Overview

Internationally renowned Chinese literature scholar Cyril Birch was the first to assemble the finest translations of these seminal pieces in his now classic and still definitive introductory anthologies. The selections in this first volume span a two-thousand-year period: from the Chou Dynasty (1122-221 B.C.) to the Y'an Dynasty (A.D. 1280-1367), from the ancient Songs to the dramas of the fourteenth century, every major genre of Chinese literature...

• Format: Paperback
• Language: English
• ISBN: 0802150381
• ISBN13: 9780802150387
• Release Date: January 1994
• Publisher: Grove Press
• Length: 528 Pages
• Weight: 3.45 lbs.
• Dimensions: 1.4" x 5.4" x 8.3"

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The best available anthology for the newcomer.

ANTHOLOGY OF CHINESE LITERATURE : From early times to the fourteenth century. Compiled and edited by Cyril Birch. Associate editor Donald Keene. 492 pp. New York : Grove Press, 1965.Birch's anthology has always been one of my favorite books. In contrast to the more recent mammoth compilations of Victor Mair (1335 pages) and John Minford (1176 pages), the Birch, at a mere 492 pages, is a far more modest and manageable proposition. Unlike the Mair and Minford, it can be held easily in the hand while reading, and it is printed in a large clear font on spacious pages in which the lines have room to breathe. Modest in size it is also modest in presentation. Selections are preceded by only the briefest of introductions, and footnotes have been kept to a minimum.The Birch is also unlike the former two anthologies in that it has restricted itself to contributions from just twenty-one translators, most of them well-known names such as A. C. Graham, Donald Keene, Ezra Pound, Arthur Waley, Gary Snyder, and Burton Watson. In other words, its complement of translators is not swelled by a substantial contingent of second-tier, relatively unknown, and sincere though not particularly inspired academic translators. One happy consequence of this is that the Birch, although in terms of quantity it holds perhaps only a third as much material or less than the Mair or Minford, has a higher relative proportion of quality translations. In other words, most of its selections actually read, not so much as 'translations' but as good literature - the tone, feelings, imagery, rhythms, and control of sound are what we expect to find in original works. Anything less than such excellence is, of course, hardly worth bothering with, and there is a lot of such excellence in the Birch.As for Birch's selections, he seems to have struck a nice balance between prose and poetry of different kinds. We are given, for example, thirty-three poems from the 'Book of Songs,' some rendered by Waley and others by Pound. We also find such things as 'The Songs of Ch'u;' the Taoist Chuang Tzu; Burton Watson's 'Grand Historian' SSu-ma Ch'ien; Rhyme Prose; Letters; Satires; the Poetry of the Recluse; the great T'ang poets Wang Wei, Li Po, and Tu Fu; Prose Essays; T'ang Short Stories; other great poets such as Li Ho and Li Shang-yin, as well as many other fine but lesser known writers. The book also includes a substantial selection from the Sung Dynasty, and is rounded out with two Yuan Dynasty plays, an extract from the Yuan novel, 'The Men of the Marshes,' and a modest but useful Bibliography which offers a number of suggestions for further reading.There is an enormous amount of pleasure to be had from this book, and instruction too. For in reading it we learn a great deal about the sensibility of a people who have been described by Pierre Ryckmans, not without some justice, as "the most intelligent people in the world" ('Chinese Shadows,' Viking, 1977). One