In the manner of an Onnagata, Ricardo Javier has imbued himself with the spirit of the characters that populate these stories, in an exercise of unfolding that reminds us of Kabuki theatre for the exigency in the characterisation of the characters who seem to act in that sort of subjective scenario that make up the nuclei of imagined events and for the exquisiteness of a language that appeals to the most recondite sinuosities of the female soul.
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