This thesis is an analysis of my musical language through three works composed between 2011 and 2013. It presents a detailed analysis of three compositions with different instrumentations: Akme, Les Yeux d'une fille dans un cimeti re (A Girl's Eyes in a Cemetery) and Epitafe (Epitaph). Using musical examples from these three compositions, I examine several aspects of my approach to musical composition, including extra-musical influences, form, melody, harmony, and orchestration.
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