American Protest Literature

Book Overview

?I like a little rebellion now and then??so wrote Thomas Jefferson to Abigail Adams, enlisting in a tradition that throughout American history has led writers to rage and reason, prophesy and provoke.... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0674027639
• ISBN13: 9780674027633
• Release Date: April 2008
• Publisher: Belknap Press
• Length: 576 Pages
• Weight: 1.03 lbs.
• Dimensions: 1.3" x 6.0" x 9.2"

Customer Reviews

Fantastic Collection

American Protest Literature is a great collection. It was required for one of my classes, I attend a liberal arts college, and the excerpts from the book, that are from other works, brought on numerous discussions. As a student you are able to analyze the protests of generations before you, and you are also made aware that not a lot has changed. Fantastic Book, it would be a great reference book to a gamut of subjects; American Revolution, Slavery, Womens Rights.

not a bad read

This book is made up of short stories throughout American history. It is really interesting. Some stories are good and others aren't.

Brilliant!

This book is compelling proof that dissent is patriotic. Zoe Trodd traces the literature that has worked for change and as far as I know this is the first book to define this genre (American Protest Literature). Trodd's discussion of what makes a text "protest literature" sets the standard and along the way she shows how the most unlikely sources can be considered literature. She also tells a good story. Among my favorites were the moment when Chief Tecumseh sat next to Governor Harrison on a bench in 1810 and slowly pushed him to the edge (then said that this was what settlers were doing to Indians), or when John Brown read a speech while he was in prison and wrote "good" in the margins (it argued that he was better off dead), or when a large crowd in Beijing in the 1950s greeted Du Bois with the John Brown Song, or when black audiences booed the movie The Defiant Ones at a screening, or when suffragists charged the stage at the centennial in Philadelphia in 1876. From Tom Paine and Frederick Douglass all the way to 2006 this book shows how writers have tried to achieve the American ideal of equality and freedom. Chapters cover the American revolution, race-based literature (abolition, lynching, civil rights, Native American rights), antiwar literature, women's protest literature, worker's protest literature, gay rights and AIDS protest. Particularly important is the focus on writers who tried to build alliances across protest movements and Trodd's interviews with writers and artists are fascinating as well (I remember that she spoke to Barbara Ehrenreich, Robert Pinsky, Amiri Baraka, and Tim O'Brien, perhaps others). Trodd writes with verve and clarity, and history comes alive especially when she connects earlier literature to its legacy. This is an invaluable book and it's hard to see how she could have covered more ground without doing several volumes. A testimony to those who believed that people might use words to change the world. Highly recommended.

Absorbing and Provocative

This is an electrifying journey into the heart of America's protest tradition. Organized chronologically by protest movement - 11 movements from 1776 to today - Zoe Trodd's brilliant and thoughtful book examines the rich tradition of American protest literature. This is the tradition, Trodd explains, that has provided "a revolutionary language and a renewed vision of the possible," the literature that gives "distinctive shape to long-accumulating grievances, claims old rights, and demands new ones... creates space for argument, introduces doubt, deepens perception, and shatters the accepted limits of belief." The book is a joy to read: Trodd, a Harvard professor, writes engagingly and accessibly, and the end result is a comprehensive, useful, and elegantly constructed book, with each chapter featuring the literature of a particular movement AND the pieces of that literature's legacy (often this legacy is a document of concrete political change - an amendment or bill). Bonus features are numerous images, an afterword by Howard Zinn (author of A People's History of America), and a new poem by Robert Pinsky. On display are the voices of dissent and resistance that tried to change history, and which might, even today, inspire America to live up to its ideals. This book is crucial for any understanding of the history of dissent, and I cannot recommend it highly enough: it will shape discussion of protest literature for years to come.