Christopher Wintle's in-depth examination of Britten's Notturno includes a full set of sketches, the printed score, an introductory essay and two appendices, providing a new model for the study of Britten's work in general. Peter Pears once described Benjamin Britten as 'a Greek who worships all the gods'; and in order to come to terms with Britten's music it is necessary to recognize a language deeply embedded in this Western tradition.
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