Using the acrostic form of the Hebrew Book of Lamentations as a twenty-two-line template, Limburg brings her own voice into dialogue with two very different choruses, one made up of collaged lines taken from texts by gentiles on Jews, and the other imagined as the collective voice of the Bones, who understand that mourning should always come with self-examination, and that any given distance 'must be measured before it can be felt'.
Related Subjects
Poetry