African Majesty: The Textile Art of the Ashanti and Ewe

by Peter Adler and Nicholas Barnard

Book Overview

Within the borders of present-day Ghana and Togo, there exists a tradition of weaving. Inspired by the demands of royalty and ceremony, the weavers of the Ashanti and Ewe tribes have created cloths... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0500236399
• ISBN13: 9780500236390
• Release Date: January 1992
• Publisher: Thames & Hudson
• Length: 192 Pages
• Weight: 3.35 lbs.
• Dimensions: 1.0" x 9.2" x 12.3"

Customer Reviews

African Majesty - The Glorious Weaving of West Africa

African Majesty is the historical study of the weaving practiced by two separate West African tribes. Inhabiting the present day countries of Ghana and Togo, the weaving traditions of the Ashanti and Ewe have been traced from the writings of the European explorers of the 15th century.Their seemingly simple process is called "strip weaving". Strip weaving is the art of hand weaving narrow(3"-5")strips which are later hand sewn together into larger pieces to make the wearing cloth of both men and women. Intensely laborious but extremely portable, these combined strips are referred to in the West as "kente" cloth, a mixture of color and pattern which has been imitated in fabric prints. The team of Adler and Barnard, a textile scholar and a writer, has produced a magnificent collaboration which showcases this art. 131 color illustrations,including many full page plates, reveal the native use of intricate patterning and a wide range of colors. Each example is numbered and the patterns contained therein are named by their tribal name, translation, explanation of uses by particular segments of society and their place of origin. The pictured cloths are really incredible. Before reading this book I had dismissed this type of cloth as a hodgepodge of simple plain weave thrown together like a crazy quilt. Seeing the multitude of patterns and reading about the fine silk and cotton yarns employed has given me an appreciation for this painstaking craft. Barnard and Adler have compiled a wonderful book, enhanced by maps of the region, a glossary of African terms and a bibliography. Though even in the face of Western influence the simple everyday strip cloth material continues to be purchased and worn, it is the specially commissioned designs which are disappearing. Hopefully this book will attract a wide audience and stimulate demand by private collectors for this awesome handweaving.