This book includes the main aspects of two articles by Antonio Cassella, published in 2017 by the International Journal of Social Science Studies: one about global warming and one about the mural "Fight for the Standard" by Leonardo da Vinci, vanished about five centuries ago in the Hall of the 500, at Florence's Palazzo Vecchio. A review here of principles of the logos heuristics--in Shakespeare's black comedy "Merchant of Venice" and the discourses that the Sufi Saint Taptuk Emre had with the Turkish poet Junus Emre--allows: a) setting at the turn of the 21st century the climax of a global warming episode similar to the thermal maximum that occurred 56 million years ago in the Superior Eocene, but as lethal as the Permian havoc that killed most Earth's species 250 million years ago; b) locating the center of Leonardo's "Fight for the Standard" at 7.035 meters below the center of Giorgio Vasari's painting "Battaglia di Marciano" in the Hall of the 500; and c) providing a cognitive tool that might re-direct into Progress the "holodomor" (death by starvation) and the "sprahamor" (death by thirst) imposed by global warming, terrorism, autism, and schizophrenia. The printed version (paperback) includes a special notation, unique in the world, which allows differentiating: 1) with UNDERLINING, the CLASSICAL COMPUTING of the FIRST ATTENTION (the "Thummim" crystal kept in the Ark of the Covenant, the Mesoamerican "Tonal", or the honest memory of high-functioning autistics); 2) with BOLD, the QUANTUM COMPUTING of the SECOND ATTENTION (Moses's crystal "Urim", quantum coherence, the "going Quetzalcoatl" in Mesoamerican legends, the magical "Nagual", or the imagination loaded with doubt and hope damaged in autism); and 3) with the COMBINATION OF UNDERLINING AND BOLD, the THIRD ATTENTION impaired in schizophrenia, quantum decoherence, and the Quetzalcoatl that returns to a renewed shared reality. This description may be from another edition of this product.
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