Acting (Re)Considered is an exceptionally wide-ranging collection of seminal essays on theories of acting, ideas about the body and training, and the actor in performance. Included are discussions on acting by or about many of the major figures who have shaped late nineteenth and twentieth century performance, including: * Delsarte * Meyerhold * Copeau * Decroux * Artaud * Brecht * Growtowski * Barba * Suzuki * Fo * Rosenthal * DaFoe
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