The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library
T043048
The imprint is stamped below the original imprint which read: Dublin: printed for Thomas Wilkinson. 1775.
Dublin]: Sold by G. Walsh, 19, Wood-Quay, 1795?]. 64p.; 12
This is more in a Jonsonian vein than Shakespearean. I would recommend it to anyone with an interest in Jacobian theater and culture. Because the characters are stock figures, the whole machinery of the debt and marriage systems is made transparent, provided you can see through the jokes. And speaking of jokes, I laughed out loud several times and enjoyed the parodies of some of Shakespeare's famous speeches. Sir Giles Overreach is a great villain and the naifish hero Welborne really does find a clever 'new way to pay old debts.' The introduction calls this a proto-typical debt comedy. Not having read every debt comedy, I'm willing to take Craik's word.New Mermaids does good work in terms of modernizing spelling and providing notes for those of us who aren't PhD's. People wanting an original-spelling text should go to their university's library or take a valium. Craik's introduction is brief but effective. It should be read after the play, since the play is easy enough to follow on first read with only a few recourses to the Cast List. Enjoy!
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