The aforementioned schoolboyish aspect of the entire collection should not at all detract from a sense that a sonnet can be very narrow and also highly ornate. The various individual examples may seem to veer here, there, and practically everywhere in terms of possible 'meanings'; meanwhile, each sonnet may be in strict keeping or almost strict keeping with the apparently preferred formulaics of John Keats and of the sprung-rhythm 'master' Gerard Manley Hopkins.
SOME FORESTS
Some forests must be rich and lovely partsRelated Subjects
Poetry