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Paperback Research Topics on the History of Chinese Musical Aesthetics/中国音乐美学史研究专题 [Chinese] Book

ISBN: 753967234X

ISBN13: 9787539672342

Research Topics on the History of Chinese Musical Aesthetics/中国音乐美学史研究专题 [Chinese]

This book is an academic research monograph deeply rooted in the field of traditional Chinese musical aesthetics. Grounded in the historical context of Chinese musical thought and literary-arts theory across dynasties, and presented in the form of thematic studies, it systematically traces the evolution of musical aesthetic thought from ancient ritual music, the musical discourses of pre-Qin philosophers, through the Han, Wei, and Six Dynasties, the Tang, Song, Jin, and Yuan, to the Ming and Qing periods. Focusing on core themes such as the spirit of ritual music, the aesthetics of qin music, tonal rhythm and artistic conception, the unity of heaven and humanity, and the expression of emotion and aspiration, the book offers an in-depth interpretation of musical aesthetic concepts, artistic spirit, and cultural connotations found in classical texts. Combining textual research with theoretical inquiry, the author analyzes the distinctive aesthetic qualities of traditional Chinese music-"harmony, tranquility, purity, and far-reaching"-elucidates the unique value system and spiritual core of Chinese musical aesthetics, and clarifies the intrinsic connections between traditional musical discourse and classical literature, art, and philosophy. With a clear structure, rigorous argumentation, and professional perspective, the book possesses both academic depth and systematic coherence. It serves as a reference for teaching and research in university programs such as musicology, literary and artistic theory, and aesthetics, and is also suitable for music theory researchers and traditional culture enthusiasts. It provides important scholarly support for the inheritance and exploration of the Chinese classical musical aesthetic tradition. 本书是一部深耕中国传统音乐美学领域的学术研究专著,全书立足中国历代音乐思想与文艺理论脉络,以专题研究形式,系统梳理从上古礼乐、先秦诸子乐论,到汉魏六朝、唐宋金元直至明清时期的音乐美学思想流变。聚焦礼乐精神、琴乐美学、声律意境、天人合一、情志表达等核心命题,深入解读历代典籍中的音乐审美观念、艺术精神与文化内涵。 作者结合文献考据与理论思辨,剖析传统音乐 "和、静、清、远" 的审美特质,阐释中国音乐美学独有的价值体系与精神内核,厘清传统乐论与古典文艺、哲学思想的内在关联。全书架构清晰、论证严谨、视角专业,兼具学术深度与体系性,既可作为高校音乐学、文艺学、美学专业教学研究参考用书,也适合音乐理论研究者、传统文化爱好者研读参考,为传承与探究中国古典音乐美学文脉提供重要学术支撑。

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