Holly Jackson is the author of the #1 New York Times bestselling series A Good Girl’s Guide to Murder, an international sensation with millions of copies sold worldwide as well as the #1 New York Times bestseller and instant classic, Five Survive, and her forthcoming novel, The Reappearance of Rachel Price. She graduated from the University of Nottingham, where she studied literary linguistics and creative writing, with a master’s degree in English. She enjoys playing video games and watching true-crime documentaries so she can pretend to be a detective. She lives in London.

Not Quite Dead Yet
$13.19 - $23.06

A Good Girl's Guide to Murder
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Good Girl, Bad Blood
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As Good As Dead
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Five Survive
$6.79 - $36.64

A Good Girl's Guide to Murder Series Boxed Set: A Good Girl's Guide to Murder; Good Girl, Bad Blood; As Good as Dead
$24.86 - $41.44

Kill Joy
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The Reappearance of Rachel Price
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A Good Girl's Guide to Murder Deluxe Paperback Boxed Set: Special Deluxe Editions of A Good Girl's Guide to Murder; Good Girl, Bad Blood; and As Good as Dead
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We Were Liars; The Gilded Ones; House of Salt and Sorrows; A Good Girl's Guide to Murder
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Holly Jackson writes thrillers that move like an investigation: a question posed, a trail of contradictions, and the steady pressure of time. Her stories lean into the tools of detection, interviews, timelines, the uneasy gap between what people say and what they do. The result is suspense that feels earned, built from method as much as shock.
Jackson graduated from the University of Nottingham, where she studied literary linguistics and creative writing, earning a master’s degree in English. That background shows up in the way her novels pay attention to language: how a phrase can be rehearsed, how a story can be edited in the telling, how a “fact” can be shaped by whoever gets to speak last. Outside the page, she enjoys video games and true-crime documentaries so she can pretend to be a detective. It fits the work: her books test the reader’s instincts, inviting you to notice patterns, track motives, and stay skeptical. She lives in London. Her mysteries start with a clean premise and then narrow the lens until a clue points back at the person holding it. The investigation changes the shape of her characters’ lives: friendships strain, loyalties get expensive, certainty becomes its own kind of risk.
Jackson’s training in literary linguistics shows in how she handles voice and evidence. She’s attentive to what counts as proof, not only objects and alibis, but tone, omission, the strange specificity of a lie. She also writes with a gamer’s sense of progression: each discovery feels like clearing a level, where you gain a tool, lose a certainty, and the map changes. These books are for nights when you want to be busy, mentally busy, page-turning busy. Jackson gives you a case to hold in your hands and asks you to keep up. If you like mysteries that respect the reader’s attention, that treat clues as more than decoration, these books deliver that satisfaction: the click of a pattern forming, followed by the uneasy realization that the pattern might be wrong.
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