The Breast

by Philip Roth

Book Overview

From the Pulitzer Prize-winning author of American Pastoral Like a latter-day Gregor Samsa, Professor David Kepesh wakes up one morning to find that he has been transformed--into a 155-pound breast. What follows is "terrific...inventive and sane and very funny (The New York Times Book Review).

A deliriously funny yet touching exploration of the full implications of David Kepesh's metamorphosis--a daring, heretical book...

• Format: Paperback
• Language: English
• ISBN: 0679749012
• ISBN13: 9780679749011
• Release Date: March 1994
• Publisher: Knopf Doubleday Publishing Group
• Length: 98 Pages
• Weight: 0.25 lbs.
• Dimensions: 0.2" x 5.3" x 8.0"

Customer Reviews

Roth Pays Homage to Kafka.

Best known for Goodbye, Columbus, Portnoy's Complaint, and his Pulitzer Prize-winning novel, American Pastoral, Philip Roth's 1972 novella, The Breast, tells the story of David Kepesh, an intellectual who, much like Kafka's Gregor Samsa in The Metamorphosis, experiences a physical transformation not into a cockroach, but into a a 155-pound female breast. Ultimately, Roth's minor novel is an insightful meditation on human sexuality. As a breast, Kepesh finds himself conflicted between his rational mind as a literature professor and his sensual desires. The Breast is the first in a brilliant trilogy of Kepesh novels; the other two novels are The Professor of Desire (1997) and The Dying Animal (2001). Roth's Kepesh trilogy attests to his rare genius as a writer. G. Merritt

Undone

Being a fan of Kafka's work as well as Roth, I was intrigued by this quite bizarre concept. As I read the book it not only reminded me of Kafka's "Metamorphisis", but it also brought to mind Dalton Trumbo's "Johnny Got His Gun" with its theme of the loss of self. This book is designed to be somewhat of a parody of "Metamorphisis", yet it takes Kafka's story from a different angle. While Kafka's story focuses on a general theme of isolation and loneliness, Roth further develops his recurring character Robert Kepesh's sense of sexual frustration. Along the way, Kepesh struggles with whether he really is a breast while being visited by Claire, his father, and a less than sympathetic colleague. With these visits, he tries to accomodate his new status with continuing a normal life. Yet we never seem to grasp the motive or reason for Kepesh's change. "The Breast" is certainly a strange work in the scope of Philip Roth's writing. Many who enjoy his other works may be repulsed by the image of this book. While it is certainly not a recognized as some of this other writings, I believe it is near the pinnacle of his list of works.

"It Began Oddly"

"As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect."- opening sentence of "The Metamorphosis," by Franz Kafka Gregor had it easy compared to Professor David Kepesh, a college professor who wakes up one morning to find he has been transformed into a gigantic breast, in Philip Roth's aptly-titled "The Breast.""It began oddly," Roth starts the 89-page book, and from the opening sentence readers are plunged into the new world of Kepesh.Refreshingly enough, Roth refrains from turning "The Breast" into an extended pornographic joke. Instead, he spends his time exploring David's state of mind- how would you feel if you suddenly transformed into a giant mammary gland?- which makes for an interesting psychological drama.First, David describes the experience of being a breast as though he does not quite believe it himself: Is it all a dream? How is he able to communicate with the others around him? Where'd his face go?Later, David's mentality changes, first to a perverted interest in a female nurse who washes him, then utter paranoia that he is under constant surveillance while in his hospital room, and finally a blatant refusal to accept his condition and the belief that he has gone mad.Things degenerate to the point where Kepesh believes he cannot hear his doctors' actual diagnoses; because of his "insanity" he only hears what he wants to hear.Throughout all this, we see how David's wife, Claire, deals with her husband's new state, as well as the reactions from his father, his doctors and nurses, and his mentor, who collapses in giggles at the sight of David the Breast."The Breast" is one big fat Franz Kafka admiration camp, where all the questions about "The Metamorphosis" apply. Is David really a breast? Or is he mentally insane? Is he really being watched?But the Kafka homage doesn't end there. Kepesh mentions strained relations with his father. Gregor's daddy wasn't a picnic either. Kepesh also calls the two hairs growing from his nipple his "antennae."At one point, David even comments that most of the characters' names begin with the letter "K". To which his doctor, Dr. Klinger, replies, "The alphabet only has twenty-six letters. And there are four billion of us in need of initials for purposes of identification."It's a smart book, one's that's certainly different from the usual literary offerings. It's certainly a concept film director Spike Jonze should contemplate following "Being John Malkovich" up with.It's a wild, short ride of a tale and one worth taking just for the sheer spectacle of it all.

Wow...

This book is incredible. I actually had to put this book down several times while reading it just to "relieve" myself. A GREAT read. Definitely worth it.

A Stimulating and Provacative Fantasy

Phillip Roth opened the door to many readers with this illusional essay on a human transforming into a human breast and describing all of the stimulus that a female erotically invites. With this work of art, Roth welcomed me into his world of descriptive narrative and made me a fan for life. This should be a stepping stone unto other Roth works such as the"Professor of Desire". I have yet to read another novel as eccentrically interesting.