Rimbaud

by Graham Robb

Book Overview

Unknown beyond the avant-garde at the time of his death, Arthur Rimbaud (1854-1891) has been one of the most destructive and liberating influences on twentieth-century culture. During his lifetime he... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 039332267X
• ISBN13: 9780393322675
• Release Date: December 2001
• Publisher: W. W. Norton & Company
• Length: 588 Pages
• Weight: 1.60 lbs.
• Dimensions: 1.5" x 6.0" x 9.0"

Customer Reviews

Examining the Rimbaud myth.

An enjoyable book-- well-written and apparently well-researched, if occasionally a little snarky in tone. Robb has a rare talent (Mitford-esque, if I dare say so) for injecting his point of view in a way that is visible but not overly intrusive. I was glad to have him as a narrative presence throughout the book. I haven't thought about Rimbaud in years. I read _A Season in Hell_ as a high school student, as you do, but wasn't converted. I never really made a serious effort to engage his poetry or his life. I was motivated to pick this book up after reading a review, and was not disappointed. If you would like to read beyond the tortured artist and into the life of a fascinating and important literary figure, then this is the book for you. What interested me in reading the biography is how much Rimbaud myth I had unintentionally absorbed over the years. Robb tells the reader a lot about the Rimbaud myth, and I think that many readers are going to find that much of what they thought they knew was not true. He spends a lot of time on the and unwraps the layers for the reader. In that sense, the book also becomes a look at how narrative fictions develop about literary figures. In any case, the facts about Rimbaud are happily much more interesting than the fiction. The book has inspired me to go back to A Season in Hell and maybe pick up the collected letters. Rimbaud becomes a great deal more interesting if you look at his entire career and not just the period before he turned 19. Generally: A good read & worth the time.

The Best Bio of Rimbaud

This bio completely turned my head around. Everything that I thought I knew about Rimbaud, was wrong! Robb's scholarship is impeccable, and his writing is so interesting that - like a novel - I kept turning the pages to find out what happened next. This is a book for everyone who loves Rimbaud, French poetry, biography, and beautiful writing.Thank you, Graham Robb, for giving us the true Rimbaud - the man himself. You opened my mind to his life, and my heart to his poetry.

Vivid Monstres Sacres

As Robb did in stellar biographies of Balzac and Victor Hugo, he paints a vivid picture of the immediate environment in which the genius in question grows, rebels, creates and explodes. Much has been written about Rimbaud and his short period of productivity as a brilliant poet and prose-poet, but too much until this biography repeated the same facts, the same received opinions and the same conclusions. Robb digs deeper to provide the fascinating and detailed world of Rimbaud's family, his provincial origins and his rage to create new forms. With that detail, Rimbaud comes spectacularly alive in context. And what a context! Most famously, poet Paul Verlaine stepped into Rimbaud's line of fire and literary history was made, with the young man/boy wreaking havoc in every direction. As Robb shows, Verlaine, Rimbaud's mentor, lover and punching bag, was merely one of those the wild child went after. Robb's prodigious knowledge of the poet, his time and his place in literary history makes this the definitive biography of Arthur Rimbaud. And although hard work, thoroughness and engaged insights are three of Robb's supreme qualities as a biographer, his glorious writing style, which provides every paragraph with exploding epiphanies that illuminate and delight in equal measure, remains a rare treasure among contemporary biographers.

Finally, a biography that Rimbaud deserves

Rimbaud's life has been subjected to more myth-making and sentimental drivel than any other 19th century poet, probably because his life is such a great story. Teenage visionary turns thirtysomething gun-runner - what a headline! The great virtue of Graham Robb's biography is that he pays such close attention to the details of Rimbaud's life as it was actually lived, and doesn't allow the work, or indeed the correspondence, to dictate to him the meaning of it all.The last great English-language Rimbaud biography was Enid Starkie's, now over forty years old, and while Starkie did massive valuable research (she later claimed, in classic biographer-rebel style, that she paid for her research by granting sexual favours to wealthy Frenchmen), her tone and approach were flawed by the temptation to rewrite Rimbaud's entire life in terms of his glittering adolescence, which was after all the time when he produced his poetry. Graham Robb combines an alert and vivid appreciation of Rimbaud's genius with a scepticism about Rimbaud's published statements about himself. This is a portrait of the artist as lifelong liar and shyster, and while Robb's Rimbaud is one of the least attractive heroes ever depicted, it seems all too true in the light of Rimbaud's withering, laser-like intelligence. While Robb is exceptionally good at showing us the young, anti-social, utterly selfish teenage genius, you can tell from his crisp prose style and sardonic wit that while he admires the poetry, he finds the boy hard to like. This seems eminently fair in view of Rimbaud's youthful lack of any sense of gratitude, morality or decent behaviour. The older Rimbaud was more inclined to honour his obligations, but Robb convincingly demonstrates how the African Rimbaud's repeated complaints of having no money don't square up to his actual dealings with banks. It seems that Rimbaud the arms dealer was not the bungling innocent of legend, but a shrewd operator who made a considerable amount of money. Robb's Rimbaud is a more modern figure, even a more (gulp) postmodern figure than we're used to in Rimbaud studies. This is no romantic dreamer (despite a dubious epilogue, the only false note in the book, I thought); Rimbaud seems to have dreamed the worst excesses of the 20th century before they happened, and reinvented himself as a man who could feel at home in them. It's a bracing, witty, scrupulous and searching biography of an exemplary figure - the brilliant boy who helped to create our idea of modern literature, and the brutally cynical man who regarded his early achievements as a drastically stupid dead end. The Rimbaud story will always be a fascinating and chilling cautionary tale; exactly what we're being cautioned against is only beginning to become apparent.