Rain God

by Arturo Islas

Book Overview

The Rain God is a lost masterpiece that helped launch a legion of writers. Its return, in times like these, is a plot twist that perhaps only Arturo Islas himself could have conjured. May it win many new readers. -- Luis Alberto Urrea, bestselling author of The House of Broken Angels and The Hummingbird's Daughter

Rivers, rivulets, fountains and waters flow, but never return to their joyful beginnings; anxiously they...

• Format: Paperback
• Language: English
• ISBN: 0380763931
• ISBN13: 9780380763931
• Release Date: September 1991
• Publisher: Harper Perennial
• Length: 192 Pages
• Weight: 0.40 lbs.
• Dimensions: 0.6" x 5.2" x 7.8"

Customer Reviews

Outcasts struggling to live with dignity

"An old romantic Mexican ballad was playing on the jukebox now and reminded Felix of the days when he was courting Angie. As usual, the singer was suffering from love and Felix smiled at the sentimentality of the lyrics. 'Ay, Papa, how can you listen to such corny music?' the children asked him at home. He was not ashamed to admit that he loved all music. He and Angie had danced to this song shortly before they were married. After three beers, he sang along. 'Hey Felix,' asked the bartender, 'what does it mean?' 'You wouldn't understand you stupid gringo,' he said. To himself he thought how only a Mexican song could mix sadness and laughter like that so that one could cry and sing at the same time." Set in a fictional Texas-Mexico border, this is the funny, sad, and outrageous tale of Mama Chona's children and grandchildren. The indomitable matriarch of the Angel clan who fled the bloody 1911 revolution for the land of promise in America. The story paints an unforgettable family portrait of souls haunted by ghosts and madness, lust, and dangerous desires. Here is a rich and poignant tale of outcasts struggling to live with dignity and to hold to their past while embracing an unsteady future.

The Great American Novel

Arturo Islas's ten-year search for a publisher for this novel reveals the sad tragedy of commercialism and racism in the literary world. White editors told him that his book was not 'authentic' enough: where were the gangs, the poverty, the struggle of barrio life? Islas, an authentic Mexican-American, stood firm for a decade until The Rain God was at last published, to the great joy of all its readers. In just over 200 pages, it chronicles three generations of a family living in a border town in Texas, and probes at the borders and divisions in all of our lives: parents vs. children, modern vs. traditional, gay vs. straight, human vs. supernatural, and body vs. soul. Surprisingly, all of this is done with great subtlety and flow; you must be an active reader to pick up on Islas's themes. It is the type of book you can reread half a dozen times (as I have) and see something new each time. It is profound, haunting, and filled with music. The Rain God is the greatest American novel since The Great Gatsby.

Complexity of an El Pasoan explained

If there is anyone, regardless of background that wants to comprehend Hisapnic culture, this story is the best source. It gives a good description of the beauty and confusion of the Hispanic culture and gives an insight of the unique culture and an affirmation that all Hispanic cultures are indeed unique. Also, the beauty of the "desert" is at last, given its true and deserved respect.

Beautiful, Poetic, Intense

I've read this book about 3 times. It captures the poetic soul of mexican-american life. The writing is intense, lyrical, visual, emotional. The stories are rich and deep. The book made me think about my definitions of poetry, poets, martyrs, christians, families, race, sexuality and death.

I had to read this during school, but was surprised...

I really enjoyed this book. The complexities of Miguel Chico and his family are so rich and deep. The relationships between them were interesting and made the book an easy read. The irony and sadness the family endured showed the true colors of the family. They were not perfect, but they were real.