Look to the Lady (Penguin Books. no. 773.)

by Margery Allingham

Book Overview

Finding himself the victim of a botched kidnapping attempt, Val Gyrth suspects that he might be in a spot of trouble. Unexpected news to him - but not to the mysterious Mr Campion, who reveals that... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: B0000CHO4R
• Release Date: January 1953
• Publisher: Penguin Books
• Length: 279 Pages
• Weight: 0.40 lbs.

Customer Reviews

Grail Legend

A mystery without a murder, Albert Champion's 3rd quest is to prevent a crime. LOOK TO THE LADY, by Margery Allingham is a fresh delight away from grizzly murder and mayhem. This title is my first experience with Albert and Lugg, it won't be my last. Ms. Allingham's take on the Grail legend and the quests it entails is funny, adventurous and an outstanding puzzle. All the elements of a great mystery without a murder. The current name for this genre is cozy, but there is a movement afoot to change it to "classic" mystery. If you've never read Allingham, pick up one today and you'll be a fan of the solution, the quest, the characters, the location and the writing. All of which are what keeps her title in-print so many years after her death. Nash Black, author of WRITING AS A SMALL BUSINESS and SINS OF THE FATHERS.

'I see you take the long road...'

Look to the lady. - response to Lady Macbeth's fainting fit, MACBETH, act II, scene 3 "We can't fight a ring like this forever. It's incredible; they're too strong." "There is the point which resolves the whole question into a neat 'what should A do?' problem. We've got just one chance, old bird - otherwise the project wouldn't be worth fighting and we should not have met. The rules of this acquisitive society...are few, but they are strict. Roughly, what they amount to is this. All members' commissions - they have to be for things definitely unpurchasable, of course - are treated with equal deference. The best agent is chosen for the job; unlimited money is supplied; and there the work...ends until the treasure is obtained...However - and this is our one loophole - should...the owner of the treasure in question kill [their agent] to save it - then they leave well alone, and they look out for somebody else's family album." "Who is the agent employed to get the Chalice?" "That's the difficulty. I don't know...so you see what a mess we're in." - Val Gyrth and Albert Campion While the U.S. title - THE GYRTH CHALICE MYSTERY - is easy to associate with the events of this book, it's something of a misnomer; this is more an adventure story or a thriller than a mystery, and in a way, it's the reverse of a mystery. Campion's ultimate goal isn't to *solve* a crime, but to prevent the theft of a national relic by any means necessary, beginning with unearthing and joining forces with Val Gyrth, the estranged only son of the family devoted to protecting the Chalice on behalf of the Crown. Val - destitute to the point of being out on the street in the wake of a failed marriage - is to come of age in a few weeks time and be initiated into the Gyrths' deepest family secrets, and has become a target of the anonymous society of wealthy collectors whose current target is the Chalice. Campion and his valet Lugg together manage to locate Gyrth, establish that he hasn't been corrupted, and explain the danger to the Chalice in an extended sequence that alternates between comedy and suspense, beginning with Val escaping arrest as a vagrant on his own doorstep, identifying himself by the tailor's label in his decrepit suit, and dodging an unsuccessful kidnap attempt before fetching up at Campion's flat in response to a mysterious trail of messages. Campion, with Val and Lugg in tow, is soon installed as a guest at the Tower at Sanctuary, the Gyrth family home in Suffolk, Val's quarrel with his father only having dragged on this long through his own stubbornness. Not that there isn't plenty of conflict and excitement to spice up matters when the Chalice almost immediately goes missing from its supposedly burglar-proof niche in the family chapel. That turns out to be a fairly clever move on the part of one of the family, though it almost immediately backfires (only the first of several such reverses in the story, which is full of alternating comic and dramatic episodes)

Allingham stands alone in this genre.

Allingham is without a doubt, the best mystery/suspense writer that ever lived. I don't say this lightly. There is absolutely no one that can compare to her and to her hero, Albert Campion! I had read most of the Allingham stories a very long time ago, but when I checked there were some that I missed, so I decided to make up for that oversight. The Gyrth Chalice Mystery is one that I somehow missed. I am very glad that I made up for that oversight now. If you have not read an Allingham mystery, then you do have a treat in store for you. I heartily recommend that you begin to read them all as soon as possible. How else can we have a benchmark to grade the authors that have come afterwards. As far as I'm concerned, Allingham is in a class of her own. Her books are thrillers really more than mysteries, but what wonderful stories they are! In this book Albert connects up with a young kinsman of his to help protect an ancient relic that the young man's family has been responsible for for hundreds of years. We also are treated to large doses of the wonderful Lugg - Albert's man of many talents. I'm not going to say any more about this wonderful book. You must read for yourself, and be prepared to be awed!

Rite of Passage

"The Gyrth Chalice Mystery" was the first Allingham mystery I read. By coincidence, I was then the same age Allingham was when she wrote it (despite there being several wars in between). I was immediately taken with the story with its heady mix of adventure, English snobbery, humor and the supernatural. When I was done reading I was a British mystery addict and an eternal fan of Albert Campion, Allingham's detective.I am much older now, and this is the third or fourth time I've reread this novel. I can only report that it gets better with age. Unlike some authors whose work is best remembered rather than reexperienced, Margery Allingham's works are every bit as much fun now as they were then. Perhaps the secret of their long popularity is that they are the highest order of entertainment, full of adventure and humor.In 'The Gyrth Chalice Mystery' Campion's assignment is the protection of the ancient Gyrth chalice from theft by a nefarious ring of art collectors. The secret of the chalice is passed from fathers to sons on their 25th birthday, and this is the time that the chalice is most vulnerable. Campion must first track down the current heir, Percival, and bring him home for the ceremony. No sooner is this accomplished when Percival's somewhat flaky aunt is frightened to death by the 'chalice monster.' With that we are off and running.Allingham does her usual best to delight and bemuse, mixing forgers, racing people, gypsies, academics and other English country folks of every sort and form into the heady stew which is a Campion adventure. Campion has matured tremendously since the first novels and is in full possession of his role as the somewhat zany yet brilliant master of the chase. Allingham doesn't write mystery stories as such. Often she gives the villain of the piece away and the real mystery is how Campion will manage to save the day. "The Gyrth Chalice" is just such a tale. The ending comes as a complete surprise and adds a dimension to the tale, which makes it especially remarkable and memorable.

Mystery Author masters the surreal

It has often been my observation that mystery authors excel at the occult. Though not necessarily demonic, this book definitely presses it's nose against the glass of the unknown with a masterful push in the way of suspense. Margery Allingham has created in Campion a detective of great literary versatility and has at once made him endearing, laughable, and yet shrouded in a brilliant fog. Although the plot does leave something to be desired in the way of clues, as a traditional detective story would demand, it is all made up for with the excitement of the final scene, and the masterful use of the English language to carve out scenes; a talent that Margery Allingham has continually taken advantage of.