Legends from the End of Time (Tale of the Eternal Champion)

by Michael Moorcock

Book Overview

Abandon Morality and Conscience. Since we left them dancing at the end of time, The Duke of Queens, Lord Mongrove, The Everlasting Concubine -- and now others too, like Elric of Melnibone -- are still... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0752806491
• ISBN13: 9780752806495
• Release Date: January 1997
• Publisher: Gollancz
• Length: 304 Pages
• Weight: 0.54 lbs.
• Dimensions: 7.1" x 1.1" x 4.4"

Customer Reviews

Not really Eternal Championesque, but still entertaining

The End of Time stories are probably some of the weirdest ones for Moorcock fans to assimilate because they really don't fit in with the tone of the rest of the novels. It's not straight SF "Nomad of the Time Streams" or "Sailing to Utopia" and it's definitely not the warped fantasy of Elric and Corum. Depending on how you look at it, it's either incisive social commentary or Moorcock just having a ball and writing some really funny stuff. This volume exists as a companion to the tenth volume of White Wolf's series, Dancers at the End of Time, which mostly dealt with Jherek's love affair with Victorian era Amelia Underwood and the events that erupted from that. None of the stories here deal in any way, shape or form with that. Jherek and Amelia don't even appear, except as brief mentions in dialogue asides. So what you have here is a series of short stories of varying length focusing on the other characters and their relatively aimless lives. Since the characters on their own are fun, but not terribly interesting (the frivolous thing gets tiring fast) Moorcock brings in other people to bounce off the Dancers and add some fun contrast. Since the inhabitants at the end of time are like little children without any kind of conscience (though they're pretty harmless, but then resurrections are common too) throwing in extra time travellers, either newcomers or ones who have been hanging around for a while, tends to give the story some interesting situations to play with. What basically makes the stories work is Moorcock apparently boundless imagination, he makes you believe in this utterly farfetched concept of a society at the end of time where everyone just basically putzes around like little godlings until the end of everything arrives and even makes you care about the characters, even though they only sporadically care about others and really can't be hurt . . . somehow you still care. Maybe I'm just an old softie. None of the stories can be considered essential in the sense that they further Moorcock's concept of the multiverse, being it's the end of time the multiverse has basically ceased to exist anyway (thank you, entropy) and there are scattered references to the ongoing amorphous plot that happens in the background but nobody really pays attention to it and a good time is had by all. If anything, the last story "Elric at the End of Time" appears to be Moorcock making fun of his younger self, contrasting the bombastic and melodramatic Elric and his endless whining with the eternally cheerful end of time folks and their more subtle brand of comedy (and commentary). Not pointless but not required reading for those who devote every waking moment to the multiverse novels, this ground of tales stand to showcase Moorcock's talent and imagination. But considering how much used copies go for (geez, did White Wolf only print ten copies of each book?) you don't have to kill yourself to find it.