Kingdom of the Grail

by Judith Tarr

Book Overview

Historical fact and fantastic legend clash when Merlin's descendant Roland takes up the Quest for the Grail against Arthur's ancient enemy. Tarr spins an entertaining and often enlightening... This description may be from another edition of this product.

• Format: Mass Market Paperback
• Language: English
• ISBN: 0451460049
• ISBN13: 9780451460042
• Release Date: October 2004
• Publisher: Roc
• Length: 497 Pages
• Weight: 0.50 lbs.
• Dimensions: 1.4" x 4.3" x 6.7"

Customer Reviews

Awesome

Awesome read. Better than any Artus story has ever been. This takes it 5 steps further & captures you from the first to the last page.

The new kingdom

Judith Tarr has taken the epic Chanson de Roland and the historic Charlemagne and created Kingdom of the Grail, a fantasy novel which explains Ganelon's treachery and Roland's death while mixing in the more familiar and popular grail legend from Arthurian mythology. Tarr's representation of Charlemagne's court is a composite of the historical court and the Charlemagne depicted in the chanson. Tarr, who holds a Ph.D. in Medieval history, clearly has a deep understanding of such primary sources as Einhard's Vita Caroli, Notker's De Carolo Magno, and the 12th century Chanson de Roland, as well as secondary sources such as Pierre Riché's La Vie Quotidienne dans l'Empire Carolingien. Her tale draws elements from all of those works and her use of short paragraphs is reminiscent of the verse style of the chanson. The novel follows the basic plot of the Chanson de Roland, with Ganelon's arrival at Charlemagne's court, the decision to battle the Muslims in Spain and the subsequent ambush at Roncevalles. After the battle, Tarr follows the historical record, specifically the revolt of Charlemagne's son, Pepin. However, this is juxtaposed with Roland's adventures in Montsalvat, the Kingdom of the Grail, where his greater destiny is revealed. While Tarr takes an interesting an under-explored legend and mixes it with the more popular tale of Arthur, the ideas she presents are more interesting than the novel itself. She never manages to get the pacing correct, and the characters are led by their fates rather than any sense of free will, although towards the end of the novel, the question of free will becomes important in and of itself. Early in the novel, Roland forms a relationship with the mysterious Sarissa. However, the sense of mystery feels forced and the reader never really wonders where Sarissa comes from. Of more concern is why the two characters are together, since there does not appear to be any real chemistry between them. Tarr has a great ability to create potentially interesting situations using historical precedents. Unfortunately, she has not yet mastered the ability to turns these stories into entertaining novels. While a fast-paced novel certainly isn't required, especially when dealing with more philosophical issues, Tarr could certainly increase the pacing in Kingdom of the Grail.

FANTASTIC!!!!

Ms. Tarr returns to her most magical writing style, which I have not seen done quite this well since the Hound and the Falcon trilogy. I savored every word of this story. It is exquisitely crafted, slowly unfolding and building to a wondrous crescendo. Masterfully done!

Roland, the Arthurian Grail, and Merlin all together--nice

What if Roland was not a Frankish savage but a Bretton, decended from Merlin himself? What if his famous battle was only the prelude to a greater war--the battle for control of the Holy Grail itself? That is the question Judith Tarr sets out to address in her fine KINGDOM OF THE GRAIL. It speaks well for her talent as an author that she succeeds.Although Tarr combines and retells portions of two of the great Epics of Medieval Europe, she does so in a strongly human vein. Roland is not the brutal figure of the Epic, but a man torn by mixed blood. The romance between Roland and Sarissa adds humanity to the tale preventing it from becoming a self-indulgent hero-bashes-great-evil story. I especially appreciated the lighter touches. Tarr uses the antics of the puca, Tarik, keep her story from becoming overly serious and caught up in its pagan mysteries. I appreciated her obvious respect for the Arthur/Merlin and Roland legends and her ability to weave these together in such an approachable way.

Very entertaining historical fantasy

Though never counting the years, centuries have passed since his former lover trapped Merlin in a magical forest that living things including birds avoided. However, one day, a boy Roland, visits the incarcerated magician. Obviously having much magical abilities or else he could never have arrived at the forest prison, Roland vows to find the means to free Merlin.Years later, Roland is a knight loyal to King Charlemagne, but has not worked at his magic. Roland wins a contest that gives him possession of the sword Durandel, but not the trust of its former owner Lady Sarissa. Still, Roland remains faithful to his liege as they set out to fight a demon that has corrupted the monarch's son with a world at stake. However, his side needs Roland to complete his oath by freeing Merlin and gaining the support of the Grail mages to triumph over their evil enemy and his allies.Judith Tarr is known for her wonderful historical fantasy tales that blend real persona and events into a mythical story. Her latest release, KINGDOM OF THE GRAIL, combines remnants of Camelot with the Song of Roland into an exciting story. The key to the plot is Ms. Tarr's uncanny ability to make her primary and secondary players seem so real that both the fantasy elements and the historical perspective appear genuine. The novel will charm fans of the Arthurian and Roland legends and medieval epic adventures.Harriet Klausner