Epitaphs

by Bill Pronzini

Book Overview

When the classic private-eye hero (Chicago Sun Times) Nameless gets a request from an old friend to track down his granddaughter, he can't say no. But when the favor turns into a murder investigation,... This description may be from another edition of this product.

• Format: Mass Market Paperback
• Language: English
• ISBN: 0440211174
• ISBN13: 9780440211174
• Release Date: December 1993
• Publisher: Dell Publishing Company
• Length: 304 Pages
• Weight: 1.70 lbs.
• Dimensions: 0.9" x 4.2" x 6.8"

Customer Reviews

Not Pronzini's best, but it IS Pronzini, and that says a lot

Bill Pronzini's EPITAPHS is not the strongest entry in the Nameless Detective series, but an also-ran by Pronzini is better than the best effort by a substantial number of other authors. In this entry, Nameless is asked to investigate a charge of theft against the daughter of one of the old Italian men who play bocce in the park. Gianna Fornessi's landlord has accused her of stealing $[...], but when Nameless questions the landlord, the latter has changed his story. It was all a mistake, he assures Nameless, and the obvious injury he has suffered was caused by a fall on the stairs. The case should be over, but something is clearly amiss, as Nameless understands when he meets Gianna's roommate. Soon, Nameless finds himself exploring a seedy world of which prostitution and pornography are only the tip. As is generally the case in the Nameless series, Nameless's private life figures prominently in the story. Life with Kerry is good, and there are even indications that her mother, long opposed to Nameless's presence in her daughter's life, is willing to make amends. However, Eberhardt, Nameless's partner, is unhappy in the partnership and is contemplating dissolution, quite against Nameless's wishes. Moreover, Eberhardt seems to consider their far more important friendship over. Pronzini is adept at combining thrilling mysteries with poignant character studies, and several entries in the Nameless series are remarkable for just that combination. EPITAPHS falls short on both counts of the standard Pronzini has set. That being said, EPITAPHS is certainly a worthy read; it's just not Pronzini at his best.

Nameless Honors His Italian Heritage

Author Bill Pronzini has always made it clear that Nameless is Italian. Sooner or later, one of the books had to move closer to San Francisco's Italian heritage and Epitaphs is the book that does that. From detailed descriptions of the changing character of North Beach and bocce games to exploring notions of family honor from the old country, Epitaphs is rich in cultural heritage. The mystery itself is a reversion to the earliest Nameless books in which the facts are not hard to discern, and the story stands on its character development. The subject here is the nature of friendship.Nameless has always been more interested in doing the right thing than in getting into the right income bracket. So when a friend asks him to look into the disappearance of their mutual friend's beautiful granddaughter, Gianna Fornessi, Nameless grumbles . . . but agrees to help. Pretty soon, he's suspicious that something's wrong. Gianna has left the job her grandfather thinks she has, and lives on a spending scale that the former job would not have supported. Meeting her roommate, Ashley Hansen, makes Nameless more suspicious. The plot complications start soon as Ashley is killed in their apartment. In each complication, another layer of civilization is peeled off of society, leaving Nameless to explore many of the basest human instincts. In his personal life, the split with Eberhardt that began in Quarry gets worse. On the other hand, his relationship with Kerry Wade improves as Cybil and he are reconciled.The book's end connects to Nameless's change of character after Shackles. He becomes judge and jury concerning a serious offense.As I read this book, I was reminded of the dark Raymond Chandler stories about family secrets as well as Chinatown. Epitaphs is a worthy successor to those fine works.