Adventures of a Hollywood Secretary: Her Private Letters from Inside the Studios of the 1920s

by Valeria Belletti

Book Overview

Adventures of a Hollywood Secretary is an insider's view of the film studios of the 1920s--and the first from a secretary's perspective. Rich in gossip, it is also an eyewitness report of Hollywood in transition. In the summer of 1924, Valeria Belletti and her friend Irma visited California, but instead of returning home to New York, the twenty-six-year-old Valeria decided to stay in Los Angeles. She moved into the YWCA, landed a job as Samuel...

• Format: Paperback
• Language: English
• ISBN: 0520247809
• ISBN13: 9780520247802
• Release Date: May 2006
• Publisher: University of California Press
• Length: 240 Pages
• Weight: 0.70 lbs.
• Dimensions: 0.6" x 6.3" x 7.8"

Customer Reviews

A Piece of the Past

Valeria Belletti was an ordinary girl who moved to the west coast for her health. Her asthma got better in the sunshine of California, and before long she got a job as a secretary to Samuel Goldwyn. At his studio she met many famous celebrities like screenwriter Frances Marion and actor Ronald Colman. Later, she visited her home in Italy and returned to California to work for Cecil B. DeMille. Her story is told through her letters to her friend Irma which were rediscovered decades later by author Cari Beauchamp. Beauchamp edits this text by adding notes about the contents of the letters and brings everything into context. More than anything, this is a fascinating look into the culture of the 1920s. We see that women could work until they got married, but no one was surprised when they quit their jobs for domestic life. Belletti displays typical moral values of the time period, which are at times shocked by the bohemian lifestyles of her friends and by Hollywood in general. The California setting makes the book even more interesting because it provides a glimpse into the studios by someone who was not looking to break into the movies. Her casual assessments of movies and stars are great fun to read and sometimes comical. The biggest disappointment is the way the letters seem to trail off at the end. Beauchamp attempts to give the history of what happened later, but this quick sum-up is not as effective as more letters would have been, and the end seems to abrupt to be entirely satisfying.

Fascinating Letters for Those Interested in the Period

Valeria Belletti was an energetic, intelligent young woman who came to Los Angeles from New York and worked as a secretary to some of the most powerful and interesting people in Hollywood in the late 1920s. During this period, she wrote dozens of letters to her best friend, describing not only her experiences at the movie studios, but her personal feelings and day-to-day life in southern California and on an extended trip to Europe. These letters make up the bulk of this short book, which left me liking Valeria very much and wishing there had been more. Well-written background notes are provided by editor Cari Beauchamp. While Beauchamp supplies some valuable padding-out of the events and personalities Valeria described, she tends to give the compilation a modern feminist point of view the author of the letters did not seem to have in mind. In contrast, the letters indicate that rather than being the victim of an "iron ceiling" (Beauchamp's term), Valeria, although a high school dropout, had opportunities to grow professionally beyond being a secretary, but chose not to pursue them. Furthermore, rather than half-heartedly marrying a man she was "only fond of" (Beauchamp again) as a sort of economic expedient in an oppressive patriarchal society, Valeria was an independent woman who went where she wanted to go and did what she wanted to do. She had no trouble supporting herself comfortably, and she enthusiastically married a man of modest economic means, of whom she wrote, "The more I'm with him, the more I love him." I have the paperback edition and find it odd that the name of Valeria Belletti, the delightful author of the letters comprising this book, does not appear on the front cover or the spine, while Beauchamp's name is displayed in large print. For enthusiasts of early Hollywood or 1920s southern California, Valeria's letters are well worth reading, while taking her editor's feminist leanings with a large chunk of salt.

HOLLYWOOD HISTORY AT ITS BEST

Fabulous Book. If you want to know the inner-workings of the star-studded Hollywood Machine in the 1920's then this is the book for you. An insider's account with all the trimmings. Cari Beauchamp does it again. BRAVA!

Fascinating... to a point.

This is a very fascinating book if you're into Hollywood history, specifically of the 20's. Although written as letters to a friend, they a lot like a diary, and as such it's a look at Hollywood of that era from a viewpoint we've never seen: the regular employee. There are plenty of books by and about the stars, directors, executives, etc., but this is the first one from a secretary, and while that may not sound as exciting as, say, a book about Buster Keaton, it really is interesting. What's great is that these were just casual letters, not something their author (Valieria Belletti) expected anyone but her friend to read, consequently she speaks her mind with an openness and honesty you just won't get from someone who's expecting to be quoted. The letters are full of comments and incidents about major stars and directors, but are presented in a casual way, not jazzed up as they would be upon later reminiscence or if they were being told in an interview. The only thing I didn't like, and this is to be expected from the private letters of one young woman to another, is that the "search for a husband" stuff gets a bit tiresome. It's still interesting in terms of being a window on the mores and social life of the time, and therefore some readers might find it better than the movie studio parts, but I came at the book through an interest in the movies not an interest in how women dated in the 20's. (As I said though, I did find this stuff interesting, it's just that it started to occupy more space than the studio stuff. And in Valieria's defense, it sounded like she was wearying of it after a while too.) So I'm glad I read the book and I definitely recommend it, just don't expect wall-to-wall insights and revelations about Hollywood. Not that I expected that, but just be sure you don't either.

A Must Read for Anyone with an Interest in Vintage Hollywood

This book is not only for film buffs, it is a window to a world that is long gone. It is a bird's eye view of Hollywood at the end of the silent era and transitioning into the age of the talkies. Aside from the great Hollywood dish, of which there is plenty, Belletti was remarkably candid and refreshingly not star struck. Although, I must confess that I can totally relate to having a crush on Ronald Colman. In the end it is the delightful, matter of fact, take no prisoners Valeria Belletti that you come so much to admire in reading her letters. She was a wonderful letter writer and these letters are, indeed, treasures. At the turn of each page you are delighted anew with some insight or adventure. She was one spunky girl and wrote letters that are filled with details of her days and nights in Hollywood. We need to bless her beloved friend Irma for saving these letters and presenting them to her many years later. We must also thank Cari Beauchamp for bringing these letters to light and annotating them carefully with her own delightful and informative prose. As I said before, this is a window to a lost world. More than that, it is a celebration of an independent young woman making her way in a man's world and celebrating her life at the height of the jazz age. This will be a volume I will turn to again and again. Don't miss it, this will brighten the gloomiest and dampest spirits on a rainy day.