A Handbook of Diction for Singers: Italian, German, French

by David Adams

Book Overview

A Handbook of Diction for Singers is a complete guide to achieving professional levels of diction in Italian, German, and French, the major languages of the classical vocal repertory. Written for English-speaking singers, it is an ideal textbook for students of diction and is also invaluable for voice teachers, vocal coaches, and conductors. This unique book combines traditional approaches proven successful in the teaching of diction with important...

• Format: Paperback
• Language: English
• ISBN: 0195120779
• ISBN13: 9780195120776
• Release Date: November 1998
• Publisher: Oxford University Press, USA
• Length: 192 Pages
• Weight: 4.75 lbs.
• Dimensions: 0.8" x 9.1" x 6.0"

Customer Reviews

Exactly what I needed

Love the book. It's exactly what I needed for class. Excellent book for anyone wanting to learn diction for Italian, German, or French.

Excellent but look for the new edition

This is an excellent resource that I've used many times in my song study. I recently purchased the updated 2008 edition also by Adams, and it contains much of the same great material. I'd recommend either edition, but the latter does have more current research that makes it a bit more desirable.

Awesome teacher made awesome book!!!!

Prof. Adams was my previous voice teacher at College-Conservatory of Music at University of Cincinnati. Now I study voice at University of Illinois. We used his book for Diction class. Every terminology and explanation is very clear. It is best reference book for singers.

Excellent Reference for All Singers

Professor David Adams skillfully offers keen insight into the basics of Italian, German, and French diction. In addition to covering the most general rules, he goes on to explain common exceptions and more elusive nuances of each language within the context of a singer's perspective. Some familiarity with the International Phonetic Alphabet is helpful but not necessary. This book will prove a tremendous asset for any singer whose goal is more than simply singing correct notes. It will assist in adding that element of expression only possible with the clarity of the text as it was intended by the composer.