A Book of Luminous Things: An International Anthology of Poetry

by Czesław Miłosz

Book Overview

Selected by Nobel Laureate Czeslaw Milosz, an inspiring collection of 300 poems from writers around the world.

Czeslaw Milosz's A Book of Luminous Things--his personal selection of poems from the past and present--is a testament to the stunning varieties of human experience, offered up so that we may see the myriad ways that experience can be shared in words and images. Milosz provides a preface to each of these poems, divided...

• Format: Paperback
• Language: English
• ISBN: 0156005743
• ISBN13: 9780156005746
• Release Date: April 1998
• Publisher: Ecco Press
• Length: 352 Pages
• Weight: 0.76 lbs.
• Dimensions: 1.1" x 6.0" x 8.9"
• Age Range: 14 years and up
• Grade Range: Grade 9 and higher

Customer Reviews

An anthology of epiphanies

To call this excellent collection of poems an "international" anthology is a bit presumptuous. The bulk of the poems were written by poets whose native language is American (88), Chinese (53), Polish (35) or French (16). The selection, however, aptly reflects the geographical stations in the life of the Nobel Prize winner of 1980, Czeslaw Milosz. Born in 1911, he lived in Poland until 1951 when he emigrated to France. In 1960, invited by the University of California, he moved to Berkeley where he lived and worked until his death in August 2004. During the Second World War he lived in Warsaw, writing for the underground presses - which probably explains why only one German poem (by Rilke) appears in this book. To put this in perspective: poetry in German ranks on the same level as Inuit poetry here, one poem each. But never mind. After swallowing my national cultural pride, I admit that "A Book of Luminous Things" is my favorite anthology of poetry. By a wide margin. Milosz did not simply compile a "best of" collection; he created a very personal, intimate book. The poems collected in this anthology are as much about the joy of living as they are about the awareness that old age may bring. What they teach are attention to the particular and appreciation of the transitory. Milosz's proposition for the collection was to present poems, "whether contemporary or a thousand years old, that are, with few exceptions, short, clear, readable and, to use a compromised term, realist, that is, loyal toward reality and attempting to describe it as concisely as possible. Thus they undermine the widely held opinion that poetry is a misty domain eluding understanding." Milosz titled the last chapter of his anthology "History." At first, I found it a strange choice to conclude such a personal book with a chapter of poems that for the most part deal with the inhuman crimes perpetrated in the 20th century. A strange choice in particular because the preceding chapter titled "Non-attachment" would have given the book a final note of calm and serenity. Eventually, however, I considered the last chapter quite appropriate for a poet like Milosz who was committed to realism and political activism. As much as Milosz may have admired the attitude of non-attachment - illustrated with ultimate skill by the Chinese poets in this anthology - the formative experience of his life were the unspeakable deeds of cruelty committed by Germans in his home country. A Book of Luminous Things begins with a very short chapter titled "Epiphany." Epiphany, Milosz explains, is an unveiling of reality. What in Greek was called 'epiphaneia' meant the appearance, the arrival, of a divinity among mortals or its recognition under a familiar shape of man or woman. Epiphany thus interrupts the everyday flow of time and enters as one privileged moment when we intuitively grasp a deeper, more essential reality hidden in things or persons. This definition of epiphany informs Milosz's understanding o

I Keep This in My Glovebox

I have ordered this book for my college English classes for the past four years. Each time I browse through it I find something new, something valuable. I do indeed keep a copy in my car's glovebox. I pull it out if I find myself stuck somewhere and I read a poem or two.The selections are indeed eclectic and span the globe. They are loosely arranged by theme and my international students assure me that the translations are good and truly reflect the spirit of the originals.I recommend this highly to people who love poetry and to those who think they might someday at least like it.

A Sublime Anthology

The poetry in this diverse volume lives up to the lofty title on the book cover. Indeed, the poetry therein is luminous. From Haiku and dead moths to drangonfly wings and Jeffers' hurt hawks, this anthology is great for any ocassion. I discovered it while traveling, and it proved a lovely travel companion. It made the trip especially memorable and much more endurable, in that the poetry unceasingly provided me opportunity to reflect on the human condition and elemental themes. The more interesting aspect of this anthology happens to accord with the editor's own writing philosophy--which focuses on celebrating the ordinary--to demonstrate that the world is imbued with poetic spirit in simple facts--simple happenings that may easily be overlooked by the distracted passerby. I recommend this volume to anyone, esp. the contributions of Herbert, Hass, Milosz, Jeffers, and Szymborska.

An expertly selected volume

I've never seen an anthology that is such an act of beauty in itself. The selection of poems and commentary support a beautiful range of poems that are fresh & vital, brief & accessible. I can imagine this used to turn people on to poetry, as these poems always hit a nerve and are never obscure or bland. It is not comprehensive in a sense of poetic history, but it serves well as a collection for inspiration & meditation which will neither daunt the person new to poetry or insult the intellect of the scholar.

A brilliant collection for the peripatetic reader of poetry

A brilliant collection of poems by scores of poets from various countries and various eras. A book that will be well-thumbed by the peripatetic reader who moves from form to form, and from image to image. Milosz's commentary is also poetic. Sometimes he simply provides facts about a poem or a poet, but usually he frames the poem, as if hanging a border to concentrate the qualities of each poem in the reader's eye