Women of the Beat Generation: The Writers, Artists, and Muses at the Heart of Revolution

by Brenda Knight

Book Overview

An anthology of the lives, writings and secrets of the women of the Beat Generation, this book contains biographies poetry and prose by Hettie Jones, Joyce Johnson, Ruth Weiss, Jan Kerouac, and others. It contains commentary by American poet of the year Anne Waldman and Allen Ginsberg.

• Format: Paperback
• Language: English
• ISBN: 1573241385
• ISBN13: 9781573241380
• Release Date: October 1998
• Publisher: Conari Press
• Length: 366 Pages
• Weight: 0.85 lbs.
• Dimensions: 1.1" x 6.9" x 8.0"

Customer Reviews

What a Powerful Window Into the Women's World

This book was recommended to me when I worked for William Burroughs Communication. Oh, how I could relate, having been around artist junkies and wandering poets and moody, irrational alcoholic geniuses - and not being recognized as one myself (although much healthier by this time of my life). These women write about the life of US, the women who were also in those circles of creative insanity, putting up with violent, lazy, thieving, cheating men who said they loved us. Throughout history the lives of women in powerful movements wre hidden. They paid the rent, made sure there was food, made carbon copies of their lovers' work. But they also WROTE, beautifully, from the point of view of women who love their lovers, love their friends, and love finding their strength. These women grow as they age, becoming more compassionate and critical. After reading this, I was led to Jan Kerouac, Joyce Johnson, Diane di Prima, etc. - voices who wrote like mine, affirmed my life story. I read so much of the male Beats writing, and loved it, but didn't feel I was really in the story. Who were the women? They were us.

Should not be missed

Any interested in the history of the beat era must have WOMEN OF THE BEAT GENERATION: THE WRITERS, ARTISTS AND MUSES AT THE HEART OF A REVOLUTION. Much has been written on famous beat men but comparatively little on the women who also made their mark during the time: long overdue but better late than never is an exploration of the histories of these women, from Barbara Guest and Diane DiPrima to Jan Kerouac and Anne Waldman. A literary and social history which should not be missed. Diane C. Donovan California Bookwatch

Beautiful!

For a group that is now remembered as a progressive voice in the ultra-conformist wilderness of the 1950s, the Beats were a surprisingly chauvinistic bunch of guys, all too ordinary for their time. That unfortunate fact helps explain the relative obscurity of most of the women who ran with, influenced and, in some cases, loved them. (You probably know that William S. Burroughs accidentally murdered his common-law wife while playing William Tell, but do you know her name?) This wonderful volume goes a long way towards correcting that oversight. Featuring previously unpublished letters, rare pictures and - best of all - a generous sampling of creative works, it's a near-perfect survey of the Beats' female contemporaries, lovers and even a few of their precursors. Although most of the women profiled here published at least one work in their own right at some point, many of those are not currently in print anywhere else. Additionally, some of the poems and stories here are previously unpublished, and in the case of many of the wives and lovers (referred to as "The Muses"), the works presented here are by far the most intimate look at their lives published thus far. In short, there's something here for everyone: a good starting point for newcomers to the Beats as well as a good supplementary piece for even the most serious students of women's literature.

Never enough Beat

This a good addition to the true beat fan's bookshelf. The histories of the women who took part in the beat movement and the excellent photos are worth the price alone. But you may find yourself surprised by the quality of some of the work. I ended up reading "Door Wide Open" by Joyce Johnson after finishing this book and enjoyed it immensely. The section on Denise Levertov is great as well. The most enjoyable part of the book for me was the section on Elise Cowan. Cowan represents what Beat really is. She never produced a large, lasting amount of work, but she was a street soldier on the scene, down in the dirt, living the beat dream. Cowan was a lover to Allen Ginsberg, a friend to Joyce Johnson, a fling to Jack Kerouac, and a beautifully tragic figure of the time. If you want to dig deep in the beat and explore all of the characters, then invest in this book.

Excellent insight into the beat generation

This book is very interesting from both an historic and literary view. When I first started reading books from authors like Jack Kerouac and others, the Beat Generation seemed to be male dominated. But by reading this book one can see just how important the women really were. I recommend this book very much.