The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks in Arles

by Martin Gayford

Book Overview

From October to December of 1888, Paul Gauguin shared a yellow house in the south of France with Vincent van Gogh. They were the odd couple of the art world -- one calm, the other volatile -- and the... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0316769010
• ISBN13: 9780316769013
• Release Date: November 2006
• Publisher: Little Brown and Company
• Length: 339 Pages
• Weight: 1.08 lbs.
• Dimensions: 1.1" x 5.9" x 8.5"

Customer Reviews

Loved it

This was a brilliant book. I have not looked at a Van Gogh or a Gauguin painting the same ever since I read this. If you are curious about Van Gogh's "hygenic" ways this is an excellent choice to investigate the question. There are choice quotes and if you have Dutch ancestry like myself, you will find enjoyment in this book.

Delightful!

I accidently got this book thinking it was something else, but am so glad for that mistake because this is one of the most beautiful things I've ever read. It truly moves you in every way. If you didn't hold Vincent dear in your heart before, you surely will after reading this, and will carry him with you for the rest of your life.

Fascinating read!

This book is a must for those people who need to find out more about what made Vincent tick. Well researched and written. A consuming read.

Two Giants Make House Together

One of the most famous episodes of disastrous behavior by an artist is the tormented Vincent van Gogh's cutting off his ear. People who don't know anything else about the artist, or anything about art, know about the spectacular self-mutilation. There is more to the story, of course, and the excision of the ear is certainly not the most important part of van Gogh's life, but it did provide a climax to an important episode in that life, the collaboration between van Gogh and Paul Gauguin. In _The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks in Arles_ (Little, Brown), art critic Martin Gayford has recreated almost a day-by-day account of the time the two painters lived together, painted together, stimulated one another, and got on each other's nerves. It is a period that art historians have probed ever since van Gogh's postmortem fame, and while there have been recent discoveries made about details of the collaboration, Gayford's book in its chronological account gets close inside the minds of the two giants as they muddled their way through their period as housemates. Though Gayford tells in abbreviated form about what went on in their lives before and after their sharing of the Yellow House, the concentration on this particular period is wonderfully illuminating. Van Gogh arrived in Arles in February 1888, and on his walks spied the Yellow House, which he leased for five months. He was well known as a loner, but he had long dreamed of making a colony for artists who would collaborate together; it wasn't that they would work jointly on their canvases, but they would "live and paint together - different in individual style but sharing a common aim, exchanging ideas, commenting on each other's work." Vincent's brother Theo, an art dealer in Paris who lent support in multiple ways to his brother, hoped that it would be good for Vincent to have a companion, and offered Gauguin, whose paintings Theo brokered, a stipend to move in. Shortly after Gauguin's arrival, they proceeded out to paint the autumn foliage of Arles. They would carry out their gear, set up a few yards from each other, and work simultaneously on parallel subjects. There are thus fascinating pairs of paintings to show what the two artists made of the same subject. They talked about their work, they criticized and praised, and for the first weeks all was well. Gradually, however, van Gogh began to behave in ways that Gauguin could not accept or change. The exact reason for van Gogh's peculiar behavior has been retrospectively diagnosed with a dozen maladies, but Gayford makes the case (already made by others) that van Gogh had bipolar disorder (also known as manic-depression). In the particular case of the Yellow House there were other strains. "The claustrophobic pattern of life," writes Gayford, "would have put a strain on the most phlegmatic pair of friends." Toward the end of the collaboration, van Gogh was strained by the chromatic complexities of h

Vincent and Paul

A greatly enjoyable book. While focussed on just nine weeks in Arles, the narriative darts back and forth over the past lives of Van Gogh and Gauguin in the attempt to explain their specific actions that took place in and around the famous Yellow House. Martin Gayford does not claim to have written an academic history, but one attempting to shed clarifying light on the actual motivations, thoughts and techniques that resulted in some of the Western world's greatest art. I think the author succeeded in his objective.