The Painter of Modern Life and Other Essays

by Charles Baudelaire

Book Overview

Charles Baudelaire, the nineteenth-century French poet and writer, has also been called 'the father of modern criticism'. This stimulating volume gathers together some of his most celebrated critical... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0306802791
• ISBN13: 9780306802799
• Release Date: August 1986
• Publisher: Da Capo Press
• Length: 224 Pages
• Weight: 0.98 lbs.
• Dimensions: 0.7" x 5.9" x 8.9"

Customer Reviews

Recommend

Have been reading this dreamlike book for years. My recent purchase was as a Christmas present. Baudelaire orchestrates the debut of an anonymous (but real) cartoonist in this series of reviews. So, he introduces the sensibility of the artist, rather than the man. He argues that art is on the street beside you, in the room with you, in the mirror. Then why isn't every person an artist? What thing do people connect to the reporting senses? Why are so many who call themselves artists not artists; what makes some others, who have not chosen to make art, artists? If you want to understand the meaning of words like "dilettante," "artificial," "professional," "curiosity," "inspiration," and the tired vocabulary of the plastic sphere re-invigored at its origin, read this book. Usable handbook. Knowing Baudelaire will reveal further the horrible and ragged side of the aesthetic here espoused. Enthused essays and aphorisms--insight into a vocation which remains mysterious. Not from ivory tower; Baudelaire a "gentleman" explorer. Look out for volatile friendship with book.

Modern versus Contemporary critical reflections/debates on the Arts

This book was a historical landmark in the beginnings of modern criticism, and is seen as a pioneering benchmark for artistic reference. Its relevance today is that its poetic language or vernacular manages to engage the reader in a strange relationship with contemporary art criticism, opening up all kinds of possiblities for the artist(s)/curator who wishes to broaden their historical frames of reference. It is then a specialists book that equally throws light onto our times, it is up to the reader of course on how far their imagination can accomodate this. I recommend this book to anyone with an open mind who is curious about how past and present times are constructed, viewed and discussed.